Come play inside a writer's brain, scary!

Welcome to First Monday Mentoring when this blog looks at the realities of the writing craft – the fear of the blank screen that never goes away, the sensation of being an observer in life and wondering if you’re missing the sensitivity gene. Truth is, you’re not insensitive – you’re a writer. Observing life at its most extreme: births, weddings, funerals, is what writers do. Then we translate the experience onto the screen or page and make sense of it for the non writers.

Into the Woods
Recently I read a fascinating book called Into the Woods: how stories work and why we tell them. The author, John Yorke, created the BBC Writers’ Academy and brought a vast array of dramas to British screens.
His book explores the unifying shape of narrative forms, from the archetypal fairy tale journeys “into the woods” to today’s blockbuster movies. Yorke says that stories are all rooted in the same ancient structures.
While he explores these structures in detail and shows them at work in everything from Star Wars to “kitchen sink” dramas, he doesn’t recommend that writers follow structure as a blueprint, but rather as a template to check your writing against after your first drafts are done.

Stories are not paint-by-numbers exercises.

You can follow every writing guru slavishly step by step and still not make a story that speaks to your readers. Writing is similar to baking a cake. We all use the same mix of flour, eggs, butter and flavouring – in our case, plot, characters and setting – but the results depend on how well you do the baking.
Yorke references a lot of writers I’m fond of, from Dr. Who’s Russell T Davies to William Goldman’s iconic Adventures in the Screen Trade, books I have on my shelves and refer to often. I’ve lost count of the number of copies of the Goldman book I’ve given away.
Interestingly, many of these books were written for screenwriters, before novelists discovered them. Many, like Linda Seger have adapted their books for narrative writers, but the originals – for me anyway – are hard to beat.
As Yorke contends, it’s all about structure and in this, readers raised on YouTube and Netflix increasingly expect novels to echo screenwriting principles. Get into a scene as late as possible, and out as early as possible. Keep the story moving regardless of genre. Let the readers do a lot of the work, don’t force feed them. Let them reach their own conclusions. Let them think.

If, like me, you enjoy revisiting classic TV from the 1960s to the 80s, you’ll notice marked differences between then and now. Today there’s far more showing than telling with fewer round-up scenes at the end where characters tell each other what happened and why, as if the reader hasn’t worked it out long before. Like dialogue, character actions are more natural, instead of moving around the page/set like chess pieces.

In the romance genre at least, storytelling was more fun before you could track people by their phones, or build suspense with a “secret baby” – a child the hero didn’t know he’d fathered. These days DNA testing leaves little doubt. Although a full test takes a bit longer than most TV shows and some books would have us believe.
But while limiting some story options, technology can open up new possibilities. In my Beacons sci-fi series, I used modern technology to hijack the space shuttle, and a private jet to launch it, supported by input from the jet’s brilliant designers. Google “Mandelbugs” for another topic I play with in the series.

Recently on ABC Statewide I had a fun discussion about the role of technology in modern relationships – using emojis in place of body language, for example.

Curiously, however far writers go out into space or how deeply into human psychology, as John Yorke points out, the basic story structure remains largely unchanged. The why of storytelling also remains fixed – to explain the world to us, and us to ourselves.

Why do you enjoy telling stories? Have you ever considered structure as a factor and how do you use it? Please share your experiences here. The blog is moderated to avoid spam but your comments can appear right away if you click “sign me up” at right. I don’t share your details with anyone. Happy writing!

Valerie
on Twitter @ValerieParv and Facebook
Valerie’s latest book, Outback Code, is out now
3 books complete in one volume
For international orders, print & ebook formats,
Booktopia http://tinyurl.com/hj3477e
From Amazon for Kindle http://tinyurl.com/hxmmqsk

Welcome to First Monday when I open this blog to discuss what it’s really like to be a writer – not the glamour stuff but the inside track on the fears, the struggles and yes, the joys of writing.

This week a writer told me she’d sold “the book of her heart.” Naturally I was delighted but curious – what was meant by “the book of her heart?”

Turns out it’s a cross-genre book about characters who’d haunted her for years, not the kind usually sought by publishers but one she desperately wanted to write, even if no-one loved it but her. She’d come close to publishing the book herself but didn’t have the cash and time to invest in the work.

That led to me to asking if she would ever write a book she didn’t love. After a long pause she said, “Almost all the time,” adding that she’d started out reluctantly, but had fallen in love with the story along the way.

This suggests you can start writing with your head rather than your heart. “Exactly,” she agreed. “I can’t afford to wait for the muse to strike. Sometimes I have to write first and the love comes later.”

And if it doesn’t? “Something else will,” she said.

With 90 books written over many years, there have been stories I couldn’t wait to tell, when the words flowed like warm honey. Others were like pulling teeth, needing many rewrites to make them work. And then there was the book on plumbing.

I’ve always treated my writing as a business, proposing book ideas to publishers who contracted me to write quite a few. At other times an editor would like my proposal but have another book they wanted me to write instead. Hence how to do your own plumbing.

First of all, technically you need a qualified plumber even to change a tap washer. Plus I had zero interest in water hammer, grease traps and septic tanks. But I’d signed a contract and I researched and wrote the best book I could, having a plumber friend vet it before submission.

Pleased as I was to have delivered the book as promised, that project made me determined to find a way to write books that I could also put my heart into.

Without the plumbing book, I might not have discovered romance novels.

I’ve always been a romantic at heart, but the plumbing book empowered me to try something new. Fifty romance and romantic suspense novels later working with editors in London, Toronto and New York, I’d become known as Australian’s “queen of romance” with translations in dozens of languages including Icelandic and Manga – Japanese graphic novels. And the only how-to books I’ve written since are on the writing craft, such as The Art of Romance Writing with editions in print with Allen & Unwin since 1993.

My muse, the wonderful actor, writer and philanthropist, William Shatner, says he believes in saying “yes” to everything. This has led him to amazing opportunities from motivating the astronauts on the International Space Station, to designing his own futuristic motor cycle. At age eighty-six he’s still the busiest man on the planet.

William Shatner recommends saying “yes” to everything

Saying “yes” to everything sometimes means writing about plumbing, but can also mean creating a sci-fi series that gave me one of the best experiences of my writing life. Google “Parv Beacons” if you’re curious.

My next “yes” is to collaborate with the talented Dr. Anita Heiss on a novel, something neither of us has done before. Who knows where that will lead?

What will your next “yes” be?

Here are three ways you can learn to love any writing project:

  1. Take pride in stretching yourself creatively. Find something to love, even if it’s the income from doing the work. How might that fund a project you really want to tackle?
  2. Use all writing as a learning experience. From writing advertising copy, I learned how to inspire readers to act on my words. From scriptwriting – how to tell a story in dialogue and action. From my nonfiction books on writing – not only what works but why, broadening my own understanding of the craft.
  3. Be open to writing many different things. Some will be fun, others not so. Learn something new from every project, even if it’s that you don’t want to spend your life writing about plumbing.

What people or projects have inspired your writing? Have you loved some writing and not others? Please share your experiences here. The blog is moderated to avoid spam but your comments can appear right away if you click “sign me up” at right. I don’t share your details with anyone.

Happy writing!

Valerie

on Twitter @ValerieParv and Facebook

Valerie’s latest book, Outback Code, is out now

3 books complete in one volume

For international orders, print & ebook formats,

Booktopia http://tinyurl.com/hj3477e

From Amazon for Kindle http://tinyurl.com/hxmmqsk

 

Last month I discussed the importance of happiness to your writing. Following that, I was asked why we get some of our best ideas just before sleep or as we’re waking up.

The reason is our state of mind at these times. The floaty time before we fall sleep is called hypnagogic and the time before full awakening is hypnopompic.  These times between sleeping and waking can be rich sources of inspiration.

Writer Robert Louis Stevenson, composer Wolfgang Mozart and scientist Albert Einstein are among the great thinkers who’ve said they produced some of their best ideas during these periods. Writers today can discover the same. The sense of mental and physical relaxation as well as the kinds of brainwaves we produce, may be the magic ingredients.

Alpha and Theta

Measured by an encephalogram, we are known to produce Alpha and theta brainwaves as we sink into sleep, or return to wakefulness. These are the slower brainwave cycles when it’s easier to form new ideas. By practising mental and physical relaxation techniques, you can learn to produce these waves.

Like acquiring any habit, you first use your conscious mind to access the alpha-theta state. Many recorded guides are available to help. You may need to try a few to find one that suits you. I try to do a 30-minute relaxation exercise most days.

When you’re able to achieve a tranquil mood and can sustain it for a little time, you can try using it to solve writing problems or access new ideas.

Drop the problem or question into your mind like a pebble into a pool, then let it go. Don’t try to force ideas to come. Instead, trust your mind to keep working on the problem while you sleep.

Have a notebook or smart phone handy to record whatever comes up at the end of your relaxation period. While the times just before or after sleep are rich sources of inspiration, they’re not good for storing short-term memories. Unless you write your brilliant idea down you’re likely to wake up knowing you had a great idea if only you could remember what it was.

While you rest, information you may not have been aware of gathering can become more accessible. You’re also more likely to experiment with new thought combinations that you might resist if you were fully awake, a process called sleep synthesis.

5 benefits of writing while you sleep:

  1. The times right before and after sleep are rich sources of inspiration not always accessible when we’re wide awake.
  2. Of the four types of measurable brainwaves – alpha, beta, delta and theta – the alpha-theta mix is most connected with ideas and problem solving.
  3. You can teach yourself to produce alpha-theta brainwaves by learning and practising a relaxation technique.
  4. The benefits of these mind states are refreshment, reduced anxiety, creative freedom and better information processing. That’s why when you’re struggling with a writing problem, you may be advised to “sleep on it.”
  5. Keeping a notebook or smart phone by your bedside lets you capture any ideas and thoughts that come to you in alpha-theta meditation. In this state we don’t tend to store memories so you’ll recall having a good idea, but not what it was.

Have you thought of a great idea as you drifted off to sleep, or awoken knowing the answer to a writing problem? I’d love to share your experiences here. The blog is moderated to avoid spam but your comments can appear right away if you click “sign me up” at right. I don’t share your details with anyone. Happy writing!

 

Valerie

 

on Twitter @ValerieParv and Facebook

Valerie’s latest book, Outback Code, is out now

3 books complete in one volume

For international orders, print & ebook formats,

Booktopia http://tinyurl.com/hj3477e

From Amazon for Kindle http://tinyurl.com/hxmmqsk

Welcome to First Monday when I open this blog to the reality of being a writer. Not the precious wrist-on-forehead stuff but the challenges, fears and yes, the joys of the craft.

In the movie version of Lost in Space, there’s a great line that says, “If there’s no time to have any fun, why are we out saving the galaxy?”

Why indeed?

Having fun isn’t just goofing off. It’s how our brains deal with complex issues, make new discoveries and solve problems.

Playing helps you to relax and avoid stress-related illnesses. It stimulates the brain to release endorphins and other natural chemicals that make us feel good and boost our immune systems. Laughter quickens the heartbeat, expands circulation, enhances oxygen intake and is such good exercise for your facial muscles that it helps fight wrinkles.

How can relaxing achieve so much?

It comes back to the division between the logical left brain and the creative right brain, though today these are considered more as divisions of function rather than lines drawn down the middle of the brain.

In general the logical brain is concerned with words, science, maths, rules and reason. The creative brain is more interested in ideas, insights, intuition and imagination. In strange surroundings or under stress, the left brain tends to stay in charge. Only when you let yourself relax does your creative brain have the time and space it needs to generate new ideas and concepts.

This is why going on holiday somewhere new can be a bad choice if you hope to get much writing done. Your left brain will be so busy sorting out where everything is that you may well find writing more difficult, at least for most of us.

Having a regular place where you go to write, whether to a designated office, your bedroom or the local coffee shop is more likely to result in stories and word counts you’ll be happy with.

When I conduct writing workshops I’m well aware of how hard our left brains are working to stay in charge. I tell the group that I don’t expect “good” writing from anyone, only that what they write shows a grasp of the principles we’re exploring.

I aim to set up an atmosphere of what psychotherapist Carl Rogers calls “psychological safety” so everybody feels free to explore ideas, knowing they’ll be encouraged rather than judged or criticised.

I also throw in as much laughter and enjoyment as I can. And there’s always chocolate.

A typical example was the new Story Magic workshop I presented last weekend at the ACT Writers’ Centre in Canberra. I wanted to go beyond all the hype of marketing, publishing and social media that goes with writing today and return the focus to the act of writing itself.

Think about it. Putting a few black scratchings on a page or screen is magical. Writing is the original virtual reality without the need for headsets or goggles. You simply put a collection of black markings on your screen or page and they magically create a whole world inside your reader’s head.

Done well, the scratchings conjure up people we care about, worlds we’d like to live in and adventures that take us away from the cares of everyday life.

Think of Game of Thrones, Wuthering Heights, Hamlet, Dr No, Harry Potter, Romeo and Juliet, Cinderella, The Time Machine. As books they were mere scratchings on a page. Yet they were so successful in conjuring up virtual worlds inside our heads that producers couldn’t wait to turn them into block buster movies and TV.

This to me is true “story magic.”

Taking a more light-hearted approach to your writing isn’t abdicating your grown-up responsibilities. It is giving yourself permission to play which is vital if you are to come up with new ideas and insights that might just turn into the latest best seller.

And if it doesn’t you’ve entertained yourself and many of your friends. You’ve also given your brain a workout designed to keep it healthy while at the very least, staving off some wrinkles.

Not bad for a few scratchings on a page or screen.

As a writer, whatever stage you’re at, do you find laughter and enjoyment helpful to your work? Feel free to share your comments. The blog is moderated to avoid spam but your comments can appear right away if you click “sign me up” at right. I don’t share your details with anyone. Happy (and I do mean happy) writing!

Valerie

on Twitter @ValerieParv and Facebook

Valerie’s latest book, Outback Code, is out now

3 books complete in one volume

For international orders, print & ebook formats,

Booktopia http://tinyurl.com/hj3477e

From Amazon for Kindle http://tinyurl.com/hxmmqsk

 

 

 

 

 

This week I was reading Marie Claire magazine, the subscription a generous gift from my agent, Linda Tate. She was skiing in Vail while I slaved over a hot manuscript – literally, it was 44 degrees C in my town – so a touch of conscience? Whatever, it’s a lovely gift that keeps on giving.

One article in the April issue caught my eye: The Confidence Game by Melissa Gaudron. She talks about being overwhelmed, over-scheduled and out of control – feelings shared by many writers. If published you’re working on deadlines, reading proofs, promoting on social media, and planning future projects. Unpublished writers have the added pressure of finding homes for your books, whether with trad pubs or indie.

Nagging yourself, even when your conscience looks like this, doesn't help

Nagging yourself, even when your conscience looks like this, doesn’t help

This quote jumped out at me from life strategist, Shannah Kennedy, “No-one forgets to charge their phone every night, but we’ve forgotten how to recharge our own batteries.”

Many writers I know struggle to cope with a family and a day job, as well as produce new words and keep up with the demands of a writing career.

Some have given up, putting their writing on hold perhaps indefinitely, while they handle everything else. This is a sad state of affairs. In my experience, writers are born to tell stories. Having them in your head and never giving them voice is like cutting off a part of yourself. Yet I understand the temptation.

I’ve often wondered what non-writers do with all that spare time. Even watching TV or a movie would lose some appeal if I couldn’t second-guess the writer, try to spot the foreshadowed plot points, or mentally rewrite the ending more to my liking.

What would I think about in bank and supermarket queues, in waiting rooms or on long flights?

As Shannah Kennedy says, “How can [you] back [yourself] for a promotion or a major work decision, or to make a career change, when [you] have lost who [you] are and what [you] want from life?” Substitute “writing” for work or career, and you have the dilemma facing many writers today.

Have you lost the joy that writing used to be? Has it become another chore on a never-ending to-do list? How do you recharge your personal batteries each day? Here are three ways I recharge mine. You don’t have to use the same ones, but try to think of at least three ways to suit your own needs.

1 – try something different

If you’ve been writing murder mysteries, would you enjoy trying a new genre – science fiction, say, or romance. Or family history. Write exactly what you feel like writing without thinking how it might fit a market. Some of the most successful novels have been those where the writer had no expectations beyond the work itself. 50 Shades of Grey, anyone? My latest project is a book co-written with Dr. Anita Heiss. Neither of us has written a novel with another writer before. It’s a huge adventure and we’re loving it. This book is “grip lit”, edgy women’s fiction with a smidgen of time travel all set in Hawai’i. Go figure. Writing with Anita, bouncing ideas around, is a breath of fresh air for us both. Try something new, something you’ve dreamed of writing. Have fun. See where it leads. That’s what we’re doing.

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2 – stop writing

This may seem odd advice when you’re already struggling to get your writing mojo back. But sometimes taking the pressure off can be the best course. Shannah Kennedy says right now we’re in a constant world of comparison – which affects women more than men. Taking time out to do something different is an ideal way to destress. Would you like to craft or paint? Do that. Read War and Peace? Do that. Walk in the park, sit on a beach or meditate in a corner of your garden. Chakra meditation which I’ve done for decades, is a great safety valve. Don’t try to be “perfect” at whatever you choose; do it for the pleasure it brings. Ignoring your writer voice for a while can have it clamouring for your attention. Two late great writers, Morris West and Maeve Binchy both announced their retirement at one point, then went on to produce new work I’m sure even they didn’t know was lurking in their subconscious.

3 – share the journey

Even if you’re a fairly new writer, you can exchange critiques with someone else at the same stage. If you’re farther along, share what you’ve learned with local groups, at conferences and writing centres. I love to teach, generally gaining as much from the group as I give them. On March 25 I’m launching a new workshop called Story Magic at the ACT Writers Centre in Canberra – details here http://tinyurl.com/gwedj7z I put the focus on the “magic” of writing – bringing readers into your fictional world; making them care about your characters, and stay with you to the last page.

I also mentor the winner of the Valerie Parv Award, held in April each year by RW Australia. I’m excited to see which entry will catch my eye. Winners have written everything from supernatural to sci-fi, historical, crime, fantasy and suspense. I work with the winner for a year, chasing their writing dreams. Nearly all the past winners are successfully published.

Do you struggle to balance writing with other life demands? How could you recharge your creative batteries? Share your thoughts in the comments below. They’re moderated to avoid spam, but comments can appear right away if you click “sign me up” at right. I don’t share your details with anyone. Happy writing!

Valerie

Check out my shiny new website http://www.valerieparv.com

I’m on Twitter @ValerieParv and Facebook

My latest book, Outback Code, is out now.

For international orders, print & ebook formats,

Booktopia http://tinyurl.com/hj3477e

From Amazon for Kindle http://tinyurl.com/hxmmqsk

Lately I’m hearing this question a lot from writers, both aspiring and multi-published. They say creating a work of entertainment seems pointless in light of the political upheavals all around us, and shared in confronting detail on social media.

They’re questioning the wisdom of billionaire businessmen as romantic heroes when the paradigm is undermined by world leaders and politicians in the real world.

We have been here before. Waking up to the horrors of 9/11 in Canberra Australia, I first thought it was promotion for a movie. Would that it had been. Instead we all had to deal with the awareness that our world would never be the same again.

As terrorism became an escalating threat, I remember discussing with colleagues whether sheikhs could ever be heroes again, right when I had a romance novel called Desert Justice on the drawing board. Sheikhs have long been a romance staple, along with twins, secret babies and characters with amnesia. Readers enjoy these stories, especially when writers put our own twist on the trope.

I concluded that my sheikhs had nothing to do with reality and never had. They were fantasies I shared with readers all over the world. Mine were mostly reformers anyway, to fit my feminist inclinations. So Desert Justice went ahead.

Then there was the Y2K bug, (for Year 2000 bug) when we feared a worldwide computer meltdown because programmers had routinely shortened dates to two digits – 99 instead of 1999 – potentially causing every system in the world to go haywire or crash when the program spun over to 00. Time Magazine’s slightly tongue-in-cheek cover blared, “The end of the world? Y2K insanity. Apocalypse now! Will computers melt down? A guide to Millennium Madness”

time-magazine-cover-jan-18-1999

Tongue in cheek or not, Time’s publishers set up a bunker in their basement, equipped to produce the magazine in the event of catastrophic breakdowns. None of which, as we know now, were needed. The Y2K disaster never happened.

But most such fears have some basis in reality.

Nor do I mean to make light of our fears right now. In Writing in Difficult Times Kristine Kathryn Rusch blogs about her feelings after 9/11 at http://tinyurl.com/hwq5ke5 and says, “Writing didn’t matter when faced with the loss of life and the outpouring of grief. It didn’t matter in the face of the kinds of horrors human beings can impose on each other.

And the irony was, for me, I had been writing a book that I believed did matter, that it was about things people needed to know and see and understand. I felt passionate about the book, until the world changed.

“…And that was when I had my epiphany. I realized that escape is rest. It’s important. It gets us away from the horrors, the terrible things, the stresses and upsetting moments of everyday life.”644244_605309199480761_1647106081_n

I understand her feelings. Writing has never been easy even when you have a reliable publishing path and keen readers. When you have neither, the journey seems endless. But pointless? Never. I’ve been at book signings where my readers say they’ve stockpiled my books to help them through upcoming surgery. Or that something I’ve written has directly changed their thinking in some way, or given them comfort in a time of struggle. How can this not be valuable? In her blog, Kathryn sets out some sensible, doable steps to help deal with whatever crisis you’re facing. If it’s getting out there and applying your skills to help out, do that. If it’s donating money, or raising awareness, do that. It’s OK to give yourself permission not to write while you handle the crisis.

Then, when you’re able, get back to the keyboard and write your truths in your own way, as novels, movie scripts, articles or blogs. When you write from your own inner truth, your words will affect readers in ways you can’t even imagine. That’s a valuable contribution, too.

By making sense of your own world, you help your readers do the same. As long as you keep writing.

How are you dealing with the world today? Has it affected your writing? Comments are moderated to avoid spam but  appear right away for subscribers, or after you click “sign me up” at right. I don’t share your details with anyone.

Valerie

on Twitter @ValerieParv and Facebook

Valerie’s latest book, Outback Code, is OUT NOW,

3 books complete in one volume for summer reading

For international orders, print & ebook formats,

Booktopia http://tinyurl.com/hj3477e

From Amazon for Kindle http://tinyurl.com/hxmmqsk

 

Hi and welcome to First Monday Mentoring for January 2017. Not too many people are sorry to see 2016 over, as it came with more than its share of tragedy and loss. But focusing on loss is a good way to encourage more of the same. Better to focus on what we do want in the coming year, rather than what we don’t.

Anita in Honolulu with the cocktail that inspired our joint writing project

Anita in Honolulu with the cocktail that inspired our joint writing project

I hope as writers you have exciting plans for the year ahead, and lists of goals you’d like to achieve. I suggest breaking them down into bite size pieces so you can cross off small steps rather than have to wait to cross off one big step. For example, “write a book” is a giant step. A better approach is to list “start a new book” if you’re at that stage. Or if not, “develop book idea” then “outline book” and so on. “Write X words every day” is a good choice. Whether you choose 50 words or 500 matters less than having a measurable number you want to complete every working day.

My big goal for 2017 is writing a novel in collaboration with the much-loved writer, Anita Heiss. Neither of us has written a book with two voices, and we spent a few days in December brainstorming content and how the project would work. In line with the small steps advice, we plan to complete a partial for our agents to shop around, then work with two key characters each, the story alternating between them. Excited? You bet. I’ve already met my goal of writing the first 500 words by New Years Eve. Did another chunk to celebrate New Year’s Day. We’ll tweet and Facebook as we go along.

Anita and I after our brainstorming getaway

Anita and I after our brainstorming getaway

Check out Anita’s blog on the project  https://anitaheiss.wordpress.com/2016/12/22/52-weeks-of-gratefulness-week-50-working-with-the-best/

Now for 5 things smart writers won’t take into 2017:

1 – A cookie-cutter story. Whatever genre you write in, push yourself to write something special, unique to your voice and interests.

2 – Lack of respect for your readers. You need to bring your A-game to whatever you write. Every story is worthy of your best work, for yourself and your readers.

3 – A blasé attitude toward craft. Even if you indie publish your own work, make sure you hire a good editor, cover designer and whatever else you need to put your best work forward. Trad pubbed authors also need to address these concerns in conjunction with your agent and publisher. Never stop learning and developing.

4 – Lack of faith in yourself. Over many years I’ve found that insecurity is a hallmark of every successful writer. Even New York Times’ Bestselling authors feel unsure if they’ve achieved what they wanted for their books. Rather than letting their fears beat them, they push themselves to do better with everything they write, and so can you.

5 – Buying into the gloom and doom. As I said above, it’s better to aim for your highest goals rather than run away from what you don’t want. Writing a book is tough enough without dragging along the baggage of bad news, political angst and fear of the future. What will be will be. If you have to, watch or listen to less news, and focus on the good in your life. Bring that to your writing and I guarantee you’ll see a difference.

Share your thoughts in the comment box below. Comments are moderated to avoid spam but  appear right away for subscribers, or after you click “sign me up” at right. I don’t share your details with anyone. Thanks for your support. Have a happy and creative New Year!

Valerie

on Twitter @ValerieParv and Facebook

Valerie’s latest book, Outback Code, is OUT NOW,

3 books complete in one volume for summer reading

For international orders, print & ebook formats,

Booktopia http://tinyurl.com/hj3477e

From Amazon for Kindle http://tinyurl.com/hxmmqsk

 

 

 

 

On the 1st Day of Christmas my agent sent to me,

A voice app to write my story.

On the 2nd Day of Christmas my agent sent to me,

Two purple loves, and a voice app to write my story.

On the 3rd Day of Christmas my agent sent to me,

Three French men, two purple loves,

And a voice app to write my story.

On 4th Day of Christmas my agent sent to me

Four balding Sirs,

Three French men, two purple loves,

And a voice app to write my story.

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On the 5th Day of Christmas my agent sent to me,

Five bold young things,

Four balding Sirs, three French men, two purple loves,

And a voice app to write my story.

On the 6th Day of Christmas my agent sent to me,

Six priests for laying, five bold young things,

Four balding Sirs, Three French men,

Two purple loves,

And a voice app to write my story.

On the 7th Day of Christmas my agent sent to me,

Seven swains a-drinking, six priests for laying,

Five bold young things, four balding Sirs,

Three French men, two purple loves

And a voice app to write my story.

On the 8th Day of Christmas my agent sent to me,

Eight maids a-willing, seven swains a-drinking,

Six priests for laying, Five bold young things,

Four balding Sirs, three French men, two purple loves

And a voice app to write my story.

On the 9th Day of Christmas my agent sent to me,

Nine shady answers, eight maids a-willing,

Seven swains a-drinking, six priests for laying,

Five bold young things, four balding Sirs,

Three French men, two purple loves

And a voice app to write my story.

On the 10th Day of Christmas my agent sent to me,

Ten auto-corrections, nine shady answers,

Eight maids a-willing, seven swains a-drinking,

Six priests for laying, five bold young things,

Four balding Sirs, three French men, two purple loves

And a voice app to write my story.

409734_298928983485799_198200690225296_921464_1952604955_n

On the 11th Day of Christmas my agent sent to me,

Eleven vipers typing, ten auto-corrections,

Nine shady answers, eight maids a-willing,

Seven swains a-drinking, six priests for laying,

Five bold young things, four balding Sirs,

Three French men, two purple loves

And a voice app to write my story.

On the 12th Day of Christmas my agent sent to me,

12 nervous breakdowns, eleven vipers typing,

Ten auto-corrections,  nine shady answers,

Eight maids a-willing, seven swains a-drinking,

Six priests for laying, five bold young things,

Four balding Sirs, three French men,

Two purple loves,

And a voice app deleted with glee.

As a writer, what gift would you most like for Christmas? Hopefully not this app. Have you suffered from the dreaded “auto-correct?” I love sharing your thoughts here. Comments are moderated to avoid spam but appear right away for subscribers, or after you click “sign me up” at right. I don’t share your details with anyone.

Thanks for your support. Have a safe and creative holiday season, and the happiest of new ears…er…years.

Valerie

valerie-parv-outback-code-dec-16

on Twitter @ValerieParv and Facebook

Valerie’s latest book, Outback Code, is OUT NOW, from Harlequin MIRA, 3 books complete in one volume for Christmas giving

For international orders, print & ebook formats,

Booktopia http://tinyurl.com/hj3477e

From Amazon for Kindle http://tinyurl.com/hxmmqsk

Hi and welcome to First Monday Mentoring when we discuss aspects of writing not normally talked about.

For instance, the art of watching paint dry. I’m doing it a lot lately, not literally, but in the sense of not wanting to sit down at my desk and write actual words. After being published for four decades, and ninety books, this is a strange experience.

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I’ve found all manner of things to fill the time, from reading to giving my home a spring makeover. Watching too many real estate and renovating programs may make one thing springboard off another. I also wonder, is this how people fill their time when they don’t have stories and characters chattering away in their heads?

After a while you start to wonder if the muse has deserted you for good. Not that I’m a big fan of the muse, believing that professional writers write, inspired or not. Over many years, when I’ve been unable to conjure up the exact words I want, I’ve given myself permission to write any old how, telling myself it will be edited later.

This process has never failed me – until now. But as with everything to do with writing, there are no absolutes. The process of writing is what spy thriller writer, Len Deighton, called “a muddled system of trial and error.” He said the hardest lesson to learn is that thousands of words must be written and then discarded or rewritten before the “keepers” emerge.

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Deighton said he softened the blow by keeping his early drafts for months before throwing them away. If nothing else, this gave him the objectivity which is mostly lacking when confronting our freshly written drafts.

Writers trip ourselves up in dozens of ways. The most common, fear of failure, can lead to making sure we have no time to write that best seller. Spring makeover, anyone? Social media, while being a useful promotional tool, can feel as if we’re writing, without contributing a single word to a manuscript.

So here are five ways to stop yourself watching paint drying – or real estate programs.

  1. Find your best writing time and protect it ferociously

The time needn’t be from nine to five, unless it suits you. If you are most productive in the early hours or late into the night, keep these times free from distraction and interruption.

  1. Have your own writing place

Even if it’s only a corner of a room, or in your car, having that space and associating it with writing can be a powerful tool.

  1. Develop a writing habit

Victor Pineiro, blogged here http://tinyurl.com/zym8cq4 about writing his first novel by working on a laptop during his hour-long train trip to work. He says, “The key was not getting angry at myself for writing pure garbage some days. This was just an experiment — nothing to lose. As you’ve read dozens of times, once you do something for thirty days it becomes habit .” Once his laptop was open, he says, he felt obligated to write and it slowly became a habit.

  1. Use the small chunks of time

Like Pineiro, you can write while commuting; dictate story notes on your hands-free phone as you drive; plot the next step in your book while awaiting an appointment; or read reference material online while the kids play sport. This frees up your writing time to generate actual words.

  1. Write for yourself at first

I’ve blogged here about the critic over your shoulder, the inner voice insisting you can’t write so why bother? Somehow we have to overcome the critic and write anyway. Writing for yourself alone, and not letting anyone see your work until you’re ready, often helps. You can also do what Kate Grenville told me she does – put a sign over your desk, reminding yourself, “It can all be fixed tomorrow.”

What every writer's conscience should look like

What every writer’s conscience should look like

Now all I have to do is take my own advice. Right after I check out this Tiny House makeover.

Feel free to comment or share your experiences below. The blog is moderated to avoid spam. If you’d like your comments to appear right away, click on “sign me up” at right. I don’t share your details with anyone. Happy writing!

Valerie

http://www.valerieparv.com

on Twitter @ValerieParv and Facebook

Valerie’s latest book, Outback Code, is available from Harlequin from November 21  

outback-code-21-nov-2017

 

 

Welcome to First Monday Mentoring when I open this blog to discuss aspects of the writing life we don’t usually get to talk about.

Money is a big one, misunderstood by almost everyone. Either you’re seen as a millionaire or living in genteel poverty in your garret. The truth is usually somewhere in between, and the vast majority of writers have paid their dues  well before hitting the big time if, in fact, they ever do.

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I was moved to discuss the money question after reading an interesting blog by Rita Award-winning writer, Barbara O’Neal at http://tinyurl.com/gwzh6mc

O’Neal’s blog was, in turn, triggered when young writer, Merritt Tierce, penned an essay despairing of being able to make money as a writer. She’d had her first novel published to some acclaim and sold 12,000 hardcover copies, not enough to earn back her unspecified five-figure advance.

Tierce’s essay revealed a problem common among some writers – a sense that they are entitled to live what they see as an author’s life on the strength of one book, sometimes while writing that book. They feel that society owes them support to follow their writing dreams.

As a mentor to emerging writers who win the Valerie Parv Award http://valerieparv.com/award.html set up by Romance Writers of Australia, I had one winner state that by the end of the mentorship she wanted to be living off her writing and keeping her family as well.

In her case it was innocence talking, and by the end of our year together, she’d become more realistic.

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Not long ago I came across a crowd funding site set up by a writer whose publisher had abandoned her series mid-stream. Her goal was sound – finish the series to keep faith with her readers – but she went a step further, asking for money to allow her time to write.

Logically, to finish any book, you need time. Many people write around day jobs, or in whatever time they can scrounge from everyday life. Those same writers resented her sense of entitlement and were so viciously critical that she felt bound to take down the crowd funding site.

From a young age I knew writing was my vocation, but far from feeling entitled , I accepted that funding the dream was up to me. Early on I set up an office where I wrote press releases, a weekly newspaper column, contributions to a gardening encyclopaedia and some twenty non-fiction titles including my now-infamous book on how to do your own plumbing.

Plumbing was never my passion but I delivered the book I’d been contracted to write, because that’s what professionals do. Afterward,  I resolved to find a more fulfilling way to write and still make a living. That’s when I tried my hand at romance novels, eventually writing over fifty titles for Harlequin’s London editors, then for New York and Toronto.

Had I known then that they received some 10,000 submissions of which they accepted about ten, I might have been less eager.  Not that I rushed in, spending months researching their books and market. Only then, I wrote the book I couldn’t find on their lists, and Love’s Greatest Gamble was eventually accepted.

While waiting for Harlequin’s response I kept writing non-fiction including the one I’m most proud of: The Changing Face of Australia, a 200-year environmental study years ahead of its time.

I was doing what O’Neal said she wanted most to tell Tierce, “get back to work. Write another book. Write three. Write ten. Keep writing until you find the next thing.”

This is good advice for any writer. No-one knows which book might be the charm. Bestsellers are made by readers, movie moguls and plain random chance. All we can do is write the stories we feel compelled to share; the work being its own reward. If more comes, wonderful. If not, we’ve honoured our gift.

It’s great to be paid for writing and I know how lucky I am, as well as how hard I’ve worked. As agent and author Donald Maass commented on O’Neal’s blog, “Money? Yeah, well that’s nice to have. But it’s not everything. When people envy writers, it’s not their income that they envy. It’s their freedom.”

To me, that freedom is priceless.

How do you feel about money and writing? Share your questions and comments in the box below. This blog is moderated to avoid spam but your comments can appear right away if you click “sign me up” at right. I don’t share your details with anyone.

Valerie

on Twitter @ValerieParv and Facebook

Valerie’s Beacon sci-fi  series is OUT NOW

from Momentum/Pan Macmillan

http://momentumbooks.com.au/authors/valerie-parv/

via Amazon.com.au Amazon.com & Amazon.co.uk – also
Barnes and Noble (Nook devices)

Google Play (All devices except Kindle)

iBooks Store (iPhone, iPad, iPod touch, Mac)

Kobo (All devices except Kindle)

 

 

 

 

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