We writers are very good at spinning yarns – that’s why we’re writers. But we are also very good at telling ourselves stories. Lies if you like. The trouble is when we start believing them. Here are three I’ve heard, and told myself, countless times. Can you spot the one truth?
1. I don’t need to write my idea down. I’ll remember it in the morning.
This is a big one, and no, you won’t remember in the morning. All you will remember is that you had a brilliant idea. If you’re lucky, you may remember enough fragments to sort of recapture the idea. But you will always know there was more. If only you’d made the effort to scribble down a few notes, dictated your thoughts into a recording device, or left yourself a voice message as a reminder, you’d be on your way. The moments directly before and after sleep are known to produce brainwaves associated with creativity. Unfortunately, they are also least connected to short-term memory, which is why this problem occurs. Capture the lightning. Make notes. Your brain isn’t hard-wired to remember your brilliant ideas in these brief but fertile moments.
2. I won’t write today. I can catch up tomorrow.
You know this for a lie the moment you read it. We all do. Whether your target daily word count is five hundred words or five thousand (yes, these freaks of nature do exist), you’re wise to try to write them, even if you think they suck pondwater. Kate Grenville told me she has a sign over her desk saying, “It can all be fixed tomorrow.” Another amazing writer, Nora Roberts, said at an Australian writing conference, “You can fix a bad page, you can’t fix a blank page.” Skipping a day because of an emergency is one thing. Skipping because you don’t feel like writing is dangerous. One day can easily become many, until you have to question how much you really want to write.
3. I’ll think of a better ending later
Strangely, this isn’t a lie. Sometimes the only way to solve a writing challenge is to write your way through it. When writing my screenplay recently, I knew what I wanted to have happen at the climactic scene. What I didn’t know was how the scene would go. I wrote a treatment (synopsis) for the producer and told him that the scene would change. When I got there, it took me several long nights of brainstorming on paper to resolve the problem. What if? Why would she…? Could she do that? What if he…? until I had the breakthrough I needed. The result was a nifty twist I couldn’t have foreseen at the start, because I hadn’t lived in my characters’ world for long enough.
“If you build it, they will come” is often true of writing. Capture your ideas. Commit to showing up most days and meeting your chosen word count. Your reward will be a world that comes to life for you and your readers.
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now writing for Living Magazine http://www.livingmagazine.com.au