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First Monday Mentoring Oct – what writing festivals do for you

Money’s tight and living costs keep rising, I get that. Plus writing has never been a profession to make easy money. But recently I hear a lot about how expensive it is to attend writing conferences and festivals, many writers saying they can’t justify the expense.

My response is how can you not justify the expense? Perhaps you have a day job and it’s hard to get the time off. Yet writers whose time is flexible still resent the cost and time to attend these events.

Most professions require continued education. Why should writing be any different? In my long career I’ve had millions of words published in a variety of genres and translations but there’s always more to learn. Attending conferences and festivals lets me monitor changes in publishing, book marketing, indie publishing, and the fast-spinning world of social media. I’m also interested in other writers’ experiences. Not everything you hear at conferences and festivals shows up on social media.

The personal interactions are invaluable. We work alone a lot of the time. Getting out and “peopling” as a colleague puts it, not only renews friendships, but lets us discuss aspects of craft that don’t fit into a Facebook post or tweet.

I was reminded of these benefits at the recent Canberra Writers Festival where my agent, Linda Tate, and I presented a session at the National Library of Australia on how we work together, subtitled “how not to be screwed in 21st century publishing.”

Agent Linda Tate (left) and me with my books at the National Library of Australia before our presentation

Even savvy writers can be screwed in everything from contracts to options, advances and royalties. Before Linda became my agent twenty-plus years ago, I dodged a few bullets myself. And I can tell you, it makes a huge difference having someone else track those bullets, freeing me to focus on the writing.

As an indie, you can screw yourself unintentionally in the many details you must cover on your own account. An example is buying ISBN numbers (International Standard Book Numbers) your book’s ID in the reading world. Buying your ISBN numbers from, say, CreateSpace, can mean they are identified as the publisher instead of you. There’s a comprehensive article on ISBNs at the Self Publishing Advice Centre  http://tinyurl.com/yc92hqdx This is just one of many pitfalls indies have to negotiate.

As Linda and I are based in different capital cities, preparing our session, presenting it and sharing the success afterward were benefits of being on the festival program. We outlined how we work together, very differently from most author-agent relationships.  Her background is in the entertainment industry, so she isn’t inclined to submit books then wait months to hear back. Instead, she paves the submission’s way with the editor then calls to see how they’re enjoying the read.

Signing one of my books at the Canberra Festival

Whether you’re traditionally or indie published, if you have an agent and they aren’t keeping up, maybe check with them about new ways you can interact. If you don’t have an agent and want one, ask them to detail how their approach can be tweaked to better serve your books.

Like conferences and festivals, agents come with a cost. However a good agent not only recoups their commission in the deals they make, but the relationship should be more beneficial overall.

Here I need to address the “it’s all right for you” syndrome. Successful authors are supposed to take in stride the cost of attending writing events. Generally we do for the benefits described here, but bear in mind that every successful author started with a first book, building our brand steadily over many years. While nothing beats writing the best book you can,  mixing with writing professionals help us achieve our success, not the other way around.

As a writer do you attend festivals and writing conferences? Please share your thoughts and experiences in the comment box below. They’re moderated to avoid spam but your posts go up right away if you subscribe – click “sign me up” at right. I don’t share your details with anyone.

Happy writing,

Valerie

on Twitter @ValerieParv and Facebook

Workshop Townsville : 7 October  Story Magic Townsville Writers & Publishers Centre https://townsvilletickets.com.au/event/story-magic-with-valerie-parv-5096

Masterclass  Canberra : 18 November  Romance Writing Re-imagined  ACT Writers Centre  https://www.eventbrite.com/e/romance-writing-re-imagined-with-valerie-parv-tickets-35421113504?aff=Valerie 

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First Monday Mentoring Sept 2017 – are you the next Valerie Parv Award writing winner

The Romance Writers of Australia national conference is done for another year, and with it the crowning of the latest Valerie Parv Award winner for 2017. She is Joanna Nell whose entry, The Unmentionables, deals with life and love in later years. I’ll be mentoring Joanna during the year of her award.

Joanna is the newest of my minions – the name past winners chose for themselves. They keep in touch, share their achievements, and we hold our annual Minions’ Breakfast at conference each year. Tiaras are worn and Joanna received hers at the RWA annual conference in Brisbane recently.

Judging and presenting this award is an exciting challenge and an honour. Thanks Romance Writers of Australia and Romance Writers of America’s former Australian Chapter where the award began.

As I read the short list I am very aware of the commitment behind every one. I know it’s a cliché but I see every finalist as a winner. You’ve shown you can write a book to suit your chosen market, and you’ve met the contest deadline.

Reaching the finals means your work has something special. I write an appraisal of every final entry to encourage you to keep striving. Minion achievements include everything from RWA’s Romantic Book of the year, to Romance Writers of America RITA awards for published books, and Golden Heart for unpublished. Minions regularly grace the Australian Romance Readers Awards , the USA Today and other bestseller lists and in one case, get reviewed by the Wall Street Journal.

Congratulations to JOANNA NELL (left)
Valerie Parv Award Winner for 2017

Winners’ books are published by all the major publishing houses here and internationally and their readers number in the millions. You can see who they are on the VPA Hall of Fame at www.valerieparv.com/vpa.html

Entries needn’t be exclusively romance. This year’s finalists included a Regency-set historical with a heroine posing as a pirate; my first-ever heroine specialising in dung-beetle reproduction; a beautifully-handled disabled heroine; a runaway bride and a reunion romance with a cranky heroine. Plus of course, Joanna Nell’s topical romance in later years.

So how do you become the next VPA minion? I take four aspects into account.

  1. You need to write from the heart

Every highly placed entry over the last 18 years has been a labour of love – and it shows. The writer has written a story s/he’s passionate about and can’t wait to share with readers. They aren’t always perfectly written, but they have compelling characters we care about from the beginning.

  1. You need a touch of originality

You don’t have to break the mould with a defrocked nun or a Playboy model character, although we have had a cross-dressing Regency hero, a gnome kidnapping conspiracy, and fairies on crack among past winners. If two entries vie for the top prize, I tend to favour the more original. Yes, there are conventions in every genre, such as the happy-ever-after in romance and the dead body in a mystery, but there should be something that transcends genre, giving us story we haven’t read before.

  1. You need to be a storyteller

I don’t use a score sheet to judge the final entries. I’m more interested in whether you give me a strong opening, a story that comes to life right away, and people I can care about and want to see succeed against the odds. I’m happy to read in any setting or time period and will forgive a few mistakes as long as you tell a gripping story. This doesn’t mean ignoring grammar or spelling, but they can be fixed. It’s far harder to fix a lifeless story.

  1. You know where you want the book to go

The winner can pick my brains, share questions and concerns, and have me critique work as we go along. I read with an editorial eye, helping the author to spot issues they may have missed through being too close to the work. The one thing I don’t do is alter the author’s voice. Ultimately, this is your story told in your unique way.

Finally there’s the X-Factor. Call it natural talent, star quality or the X-factor, it’s the extra something readers recognise as soon as they see it. The moment I start reading I know when the writer’s voice has the power to lift the hairs on the back of my neck. The book may not be the one I want to choose as the winner, but the choice will be inescapable.

Does your story have these qualities? The Valerie Parv Award 2018 opens on April 9 and closes on April 30, 2017. Details at http://tinyurl.com/y74gar78  Have you entered previously, or plan to next year? Share your thoughts here. The blog is moderated to avoid spam but your comments can appear right away if you click “sign me up” at right. I don’t share your details with anyone.

Happy writing!

Valerie

STORY MAGIC WORKSHOP, TOWNSVILLE

Valerie will present her Story Magic Workshop in Townsville, Queensland
on Saturday October 7
Valerie will also attend a Romantic High Tea on Sunday, October 8
Contact the
Townsville Writers and Publishers Centre

on Twitter @ValerieParv and Facebook

Valerie’s book, Outback Code, is out now

3 books complete in one volume

For international orders, print & ebook formats,

Booktopia http://tinyurl.com/hj3477e

From Amazon for Kindle http://tinyurl.com/hxmmqsk

First Monday Mentoring August – why am I so good at putting off writing?

Welcome to First Monday Mentoring when you’re invited to ask questions and share your experiences of being a writer – not the glamour side, but the realities hardly anybody talks about.

One big question rarely addressed is the problem of not writing. The dreaded P word – procrastination. You know the problem – you desperately want to write and you finally steal a few hours to yourself. You even have a fabulous idea you can’t wait to explore. You sit down at your keyboard and…Zilch. Nada. Nothing.

The words that sparkled in your head when you woke up that morning have been sucked away as if down a drain. You find yourself doing almost anything but facing that blank screen.

Okay, you get the idea. So what is the problem and what can you do about it?

First, cut yourself some slack. Creative work doesn’t run to a timetable. Nor can you produce something new without at least some struggle. That’s why you don’t try to write the perfect novel at first draft. You try to write something approaching your idea for a novel – what Nora Roberts calls “the dirty draft.”

The aim of a dirty draft is to get the story, chapter, scene or sentence down in some form. Even Michelangelo had to throw raw clay into a heap before he could shape it into the vision in his head. And that’s before he tackled the unforgiving marble.

Writers are lucky that we don’t have to work in stone. Everything can be changed. And trust me, it’s far easier to change a rough draft than to stare at the screen until sweat beads your brow.

Instead of going off to clean the fridge, force yourself to stay put. Write something, anything. Write a letter to yourself describing the story in your head. Sneak up on the story by writing around the scene. Draw the scene as a stick-figure cartoon. Write a ransom note from one character to another.

This kind of craziness can have a surprising result. You get caught up in the story almost against your will and you start writing. When this happens don’t stop to edit the work or consider if it’s right or not. Just let the words come. When you’ve done as much as you can, stop and breathe. Admire your achievement. You’ve gone from nothing to actual words. You’re a star.

This is really all there is to writing a novel. Figuring out the first bit, writing that; figuring out the next bit, writing that, and so on till you have your dirty draft. Then you can start to knock it into shape as a sculptor does the clay.

If you’ve tried all these suggestions and a few more and cleaning the fridge still looks good, ask yourself whether the idea is ready to be written? I frequently find that a major block is often a message from my muse telling me I’m going in the wrong direction. Give your story a shake-up, take it somewhere different and see if that helps. Then go do some mindless chore or sleep on the problem.

Writing Homeworld, Book 3 of my Beacons sci-fi romance series, I was well and truly stuck. After leaving the book alone for a bit I woke up one morning sure that the character I’d thought of as male was actually female. Further, she was a weather engineer, a profession I didn’t know existed until I went looking. As soon as she arrived, the book was off and running.

Procrastination is a strange beast. We may find ourselves doing almost anything but the work when actually, the story is bubbling deep within our subconscious and will surface when it’s ready.

Writer E.L. Doctorow famously said, “Writing is like driving at night in the fog. You can only see as far as your headlights, but you can make the whole trip that way.”

Is procrastination your problem? What have you tried to get back on track? Please share your experiences here. The blog is moderated to avoid spam but your comments can appear right away if you click “sign me up” at right. I don’t share your details with anyone.

Happy writing!

Valerie

on Twitter @ValerieParv and Facebook

Coming up – Canberra Writers’ Festival 25-27 August 2017

Meet Valerie and her agent, Linda Tate, “in conversation” at

The National Library Friday 25 August 4pm-5pm, details

http://premier.ticketek.com.au/shows/Show.aspx?sh=AUTHORS17

 

Valerie’s latest book, Outback Code, is out now

3 books complete in one volume

For international orders, print & ebook formats,

Booktopia http://tinyurl.com/hj3477e

From Amazon for Kindle http://tinyurl.com/hxmmqsk

First Monday Mentoring for July – why do we tell stories? Why do they work?

Welcome to First Monday Mentoring when this blog looks at the realities of the writing craft – the fear of the blank screen that never goes away, the sensation of being an observer in life and wondering if you’re missing the sensitivity gene. Truth is, you’re not insensitive – you’re a writer. Observing life at its most extreme: births, weddings, funerals, is what writers do. Then we translate the experience onto the screen or page and make sense of it for the non writers.

Into the Woods
Recently I read a fascinating book called Into the Woods: how stories work and why we tell them. The author, John Yorke, created the BBC Writers’ Academy and brought a vast array of dramas to British screens.
His book explores the unifying shape of narrative forms, from the archetypal fairy tale journeys “into the woods” to today’s blockbuster movies. Yorke says that stories are all rooted in the same ancient structures.
While he explores these structures in detail and shows them at work in everything from Star Wars to “kitchen sink” dramas, he doesn’t recommend that writers follow structure as a blueprint, but rather as a template to check your writing against after your first drafts are done.

Stories are not paint-by-numbers exercises.

You can follow every writing guru slavishly step by step and still not make a story that speaks to your readers. Writing is similar to baking a cake. We all use the same mix of flour, eggs, butter and flavouring – in our case, plot, characters and setting – but the results depend on how well you do the baking.
Yorke references a lot of writers I’m fond of, from Dr. Who’s Russell T Davies to William Goldman’s iconic Adventures in the Screen Trade, books I have on my shelves and refer to often. I’ve lost count of the number of copies of the Goldman book I’ve given away.
Interestingly, many of these books were written for screenwriters, before novelists discovered them. Many, like Linda Seger have adapted their books for narrative writers, but the originals – for me anyway – are hard to beat.
As Yorke contends, it’s all about structure and in this, readers raised on YouTube and Netflix increasingly expect novels to echo screenwriting principles. Get into a scene as late as possible, and out as early as possible. Keep the story moving regardless of genre. Let the readers do a lot of the work, don’t force feed them. Let them reach their own conclusions. Let them think.

If, like me, you enjoy revisiting classic TV from the 1960s to the 80s, you’ll notice marked differences between then and now. Today there’s far more showing than telling with fewer round-up scenes at the end where characters tell each other what happened and why, as if the reader hasn’t worked it out long before. Like dialogue, character actions are more natural, instead of moving around the page/set like chess pieces.

In the romance genre at least, storytelling was more fun before you could track people by their phones, or build suspense with a “secret baby” – a child the hero didn’t know he’d fathered. These days DNA testing leaves little doubt. Although a full test takes a bit longer than most TV shows and some books would have us believe.
But while limiting some story options, technology can open up new possibilities. In my Beacons sci-fi series, I used modern technology to hijack the space shuttle, and a private jet to launch it, supported by input from the jet’s brilliant designers. Google “Mandelbugs” for another topic I play with in the series.

Recently on ABC Statewide I had a fun discussion about the role of technology in modern relationships – using emojis in place of body language, for example.

Curiously, however far writers go out into space or how deeply into human psychology, as John Yorke points out, the basic story structure remains largely unchanged. The why of storytelling also remains fixed – to explain the world to us, and us to ourselves.

Why do you enjoy telling stories? Have you ever considered structure as a factor and how do you use it? Please share your experiences here. The blog is moderated to avoid spam but your comments can appear right away if you click “sign me up” at right. I don’t share your details with anyone. Happy writing!

Valerie
on Twitter @ValerieParv and Facebook
Valerie’s latest book, Outback Code, is out now
3 books complete in one volume
For international orders, print & ebook formats,
Booktopia http://tinyurl.com/hj3477e
From Amazon for Kindle http://tinyurl.com/hxmmqsk

First Monday Mentoring for June – should you write a book you don’t love?

Welcome to First Monday when I open this blog to discuss what it’s really like to be a writer – not the glamour stuff but the inside track on the fears, the struggles and yes, the joys of writing.

This week a writer told me she’d sold “the book of her heart.” Naturally I was delighted but curious – what was meant by “the book of her heart?”

Turns out it’s a cross-genre book about characters who’d haunted her for years, not the kind usually sought by publishers but one she desperately wanted to write, even if no-one loved it but her. She’d come close to publishing the book herself but didn’t have the cash and time to invest in the work.

That led to me to asking if she would ever write a book she didn’t love. After a long pause she said, “Almost all the time,” adding that she’d started out reluctantly, but had fallen in love with the story along the way.

This suggests you can start writing with your head rather than your heart. “Exactly,” she agreed. “I can’t afford to wait for the muse to strike. Sometimes I have to write first and the love comes later.”

And if it doesn’t? “Something else will,” she said.

With 90 books written over many years, there have been stories I couldn’t wait to tell, when the words flowed like warm honey. Others were like pulling teeth, needing many rewrites to make them work. And then there was the book on plumbing.

I’ve always treated my writing as a business, proposing book ideas to publishers who contracted me to write quite a few. At other times an editor would like my proposal but have another book they wanted me to write instead. Hence how to do your own plumbing.

First of all, technically you need a qualified plumber even to change a tap washer. Plus I had zero interest in water hammer, grease traps and septic tanks. But I’d signed a contract and I researched and wrote the best book I could, having a plumber friend vet it before submission.

Pleased as I was to have delivered the book as promised, that project made me determined to find a way to write books that I could also put my heart into.

Without the plumbing book, I might not have discovered romance novels.

I’ve always been a romantic at heart, but the plumbing book empowered me to try something new. Fifty romance and romantic suspense novels later working with editors in London, Toronto and New York, I’d become known as Australian’s “queen of romance” with translations in dozens of languages including Icelandic and Manga – Japanese graphic novels. And the only how-to books I’ve written since are on the writing craft, such as The Art of Romance Writing with editions in print with Allen & Unwin since 1993.

My muse, the wonderful actor, writer and philanthropist, William Shatner, says he believes in saying “yes” to everything. This has led him to amazing opportunities from motivating the astronauts on the International Space Station, to designing his own futuristic motor cycle. At age eighty-six he’s still the busiest man on the planet.

William Shatner recommends saying “yes” to everything

Saying “yes” to everything sometimes means writing about plumbing, but can also mean creating a sci-fi series that gave me one of the best experiences of my writing life. Google “Parv Beacons” if you’re curious.

My next “yes” is to collaborate with the talented Dr. Anita Heiss on a novel, something neither of us has done before. Who knows where that will lead?

What will your next “yes” be?

Here are three ways you can learn to love any writing project:

  1. Take pride in stretching yourself creatively. Find something to love, even if it’s the income from doing the work. How might that fund a project you really want to tackle?
  2. Use all writing as a learning experience. From writing advertising copy, I learned how to inspire readers to act on my words. From scriptwriting – how to tell a story in dialogue and action. From my nonfiction books on writing – not only what works but why, broadening my own understanding of the craft.
  3. Be open to writing many different things. Some will be fun, others not so. Learn something new from every project, even if it’s that you don’t want to spend your life writing about plumbing.

What people or projects have inspired your writing? Have you loved some writing and not others? Please share your experiences here. The blog is moderated to avoid spam but your comments can appear right away if you click “sign me up” at right. I don’t share your details with anyone.

Happy writing!

Valerie

on Twitter @ValerieParv and Facebook

Valerie’s latest book, Outback Code, is out now

3 books complete in one volume

For international orders, print & ebook formats,

Booktopia http://tinyurl.com/hj3477e

From Amazon for Kindle http://tinyurl.com/hxmmqsk

 

First Monday Mentoring May 2017 – how to write while you sleep

Last month I discussed the importance of happiness to your writing. Following that, I was asked why we get some of our best ideas just before sleep or as we’re waking up.

The reason is our state of mind at these times. The floaty time before we fall sleep is called hypnagogic and the time before full awakening is hypnopompic.  These times between sleeping and waking can be rich sources of inspiration.

Writer Robert Louis Stevenson, composer Wolfgang Mozart and scientist Albert Einstein are among the great thinkers who’ve said they produced some of their best ideas during these periods. Writers today can discover the same. The sense of mental and physical relaxation as well as the kinds of brainwaves we produce, may be the magic ingredients.

Alpha and Theta

Measured by an encephalogram, we are known to produce Alpha and theta brainwaves as we sink into sleep, or return to wakefulness. These are the slower brainwave cycles when it’s easier to form new ideas. By practising mental and physical relaxation techniques, you can learn to produce these waves.

Like acquiring any habit, you first use your conscious mind to access the alpha-theta state. Many recorded guides are available to help. You may need to try a few to find one that suits you. I try to do a 30-minute relaxation exercise most days.

When you’re able to achieve a tranquil mood and can sustain it for a little time, you can try using it to solve writing problems or access new ideas.

Drop the problem or question into your mind like a pebble into a pool, then let it go. Don’t try to force ideas to come. Instead, trust your mind to keep working on the problem while you sleep.

Have a notebook or smart phone handy to record whatever comes up at the end of your relaxation period. While the times just before or after sleep are rich sources of inspiration, they’re not good for storing short-term memories. Unless you write your brilliant idea down you’re likely to wake up knowing you had a great idea if only you could remember what it was.

While you rest, information you may not have been aware of gathering can become more accessible. You’re also more likely to experiment with new thought combinations that you might resist if you were fully awake, a process called sleep synthesis.

5 benefits of writing while you sleep:

  1. The times right before and after sleep are rich sources of inspiration not always accessible when we’re wide awake.
  2. Of the four types of measurable brainwaves – alpha, beta, delta and theta – the alpha-theta mix is most connected with ideas and problem solving.
  3. You can teach yourself to produce alpha-theta brainwaves by learning and practising a relaxation technique.
  4. The benefits of these mind states are refreshment, reduced anxiety, creative freedom and better information processing. That’s why when you’re struggling with a writing problem, you may be advised to “sleep on it.”
  5. Keeping a notebook or smart phone by your bedside lets you capture any ideas and thoughts that come to you in alpha-theta meditation. In this state we don’t tend to store memories so you’ll recall having a good idea, but not what it was.

Have you thought of a great idea as you drifted off to sleep, or awoken knowing the answer to a writing problem? I’d love to share your experiences here. The blog is moderated to avoid spam but your comments can appear right away if you click “sign me up” at right. I don’t share your details with anyone. Happy writing!

 

Valerie

 

on Twitter @ValerieParv and Facebook

Valerie’s latest book, Outback Code, is out now

3 books complete in one volume

For international orders, print & ebook formats,

Booktopia http://tinyurl.com/hj3477e

From Amazon for Kindle http://tinyurl.com/hxmmqsk

First Monday Mentoring April – why we need to enjoy the writing process

Welcome to First Monday when I open this blog to the reality of being a writer. Not the precious wrist-on-forehead stuff but the challenges, fears and yes, the joys of the craft.

In the movie version of Lost in Space, there’s a great line that says, “If there’s no time to have any fun, why are we out saving the galaxy?”

Why indeed?

Having fun isn’t just goofing off. It’s how our brains deal with complex issues, make new discoveries and solve problems.

Playing helps you to relax and avoid stress-related illnesses. It stimulates the brain to release endorphins and other natural chemicals that make us feel good and boost our immune systems. Laughter quickens the heartbeat, expands circulation, enhances oxygen intake and is such good exercise for your facial muscles that it helps fight wrinkles.

How can relaxing achieve so much?

It comes back to the division between the logical left brain and the creative right brain, though today these are considered more as divisions of function rather than lines drawn down the middle of the brain.

In general the logical brain is concerned with words, science, maths, rules and reason. The creative brain is more interested in ideas, insights, intuition and imagination. In strange surroundings or under stress, the left brain tends to stay in charge. Only when you let yourself relax does your creative brain have the time and space it needs to generate new ideas and concepts.

This is why going on holiday somewhere new can be a bad choice if you hope to get much writing done. Your left brain will be so busy sorting out where everything is that you may well find writing more difficult, at least for most of us.

Having a regular place where you go to write, whether to a designated office, your bedroom or the local coffee shop is more likely to result in stories and word counts you’ll be happy with.

When I conduct writing workshops I’m well aware of how hard our left brains are working to stay in charge. I tell the group that I don’t expect “good” writing from anyone, only that what they write shows a grasp of the principles we’re exploring.

I aim to set up an atmosphere of what psychotherapist Carl Rogers calls “psychological safety” so everybody feels free to explore ideas, knowing they’ll be encouraged rather than judged or criticised.

I also throw in as much laughter and enjoyment as I can. And there’s always chocolate.

A typical example was the new Story Magic workshop I presented last weekend at the ACT Writers’ Centre in Canberra. I wanted to go beyond all the hype of marketing, publishing and social media that goes with writing today and return the focus to the act of writing itself.

Think about it. Putting a few black scratchings on a page or screen is magical. Writing is the original virtual reality without the need for headsets or goggles. You simply put a collection of black markings on your screen or page and they magically create a whole world inside your reader’s head.

Done well, the scratchings conjure up people we care about, worlds we’d like to live in and adventures that take us away from the cares of everyday life.

Think of Game of Thrones, Wuthering Heights, Hamlet, Dr No, Harry Potter, Romeo and Juliet, Cinderella, The Time Machine. As books they were mere scratchings on a page. Yet they were so successful in conjuring up virtual worlds inside our heads that producers couldn’t wait to turn them into block buster movies and TV.

This to me is true “story magic.”

Taking a more light-hearted approach to your writing isn’t abdicating your grown-up responsibilities. It is giving yourself permission to play which is vital if you are to come up with new ideas and insights that might just turn into the latest best seller.

And if it doesn’t you’ve entertained yourself and many of your friends. You’ve also given your brain a workout designed to keep it healthy while at the very least, staving off some wrinkles.

Not bad for a few scratchings on a page or screen.

As a writer, whatever stage you’re at, do you find laughter and enjoyment helpful to your work? Feel free to share your comments. The blog is moderated to avoid spam but your comments can appear right away if you click “sign me up” at right. I don’t share your details with anyone. Happy (and I do mean happy) writing!

Valerie

on Twitter @ValerieParv and Facebook

Valerie’s latest book, Outback Code, is out now

3 books complete in one volume

For international orders, print & ebook formats,

Booktopia http://tinyurl.com/hj3477e

From Amazon for Kindle http://tinyurl.com/hxmmqsk

 

 

 

 

 

First Monday Mentoring March – 3 ways to get your writing mojo back

This week I was reading Marie Claire magazine, the subscription a generous gift from my agent, Linda Tate. She was skiing in Vail while I slaved over a hot manuscript – literally, it was 44 degrees C in my town – so a touch of conscience? Whatever, it’s a lovely gift that keeps on giving.

One article in the April issue caught my eye: The Confidence Game by Melissa Gaudron. She talks about being overwhelmed, over-scheduled and out of control – feelings shared by many writers. If published you’re working on deadlines, reading proofs, promoting on social media, and planning future projects. Unpublished writers have the added pressure of finding homes for your books, whether with trad pubs or indie.

Nagging yourself, even when your conscience looks like this, doesn't help

Nagging yourself, even when your conscience looks like this, doesn’t help

This quote jumped out at me from life strategist, Shannah Kennedy, “No-one forgets to charge their phone every night, but we’ve forgotten how to recharge our own batteries.”

Many writers I know struggle to cope with a family and a day job, as well as produce new words and keep up with the demands of a writing career.

Some have given up, putting their writing on hold perhaps indefinitely, while they handle everything else. This is a sad state of affairs. In my experience, writers are born to tell stories. Having them in your head and never giving them voice is like cutting off a part of yourself. Yet I understand the temptation.

I’ve often wondered what non-writers do with all that spare time. Even watching TV or a movie would lose some appeal if I couldn’t second-guess the writer, try to spot the foreshadowed plot points, or mentally rewrite the ending more to my liking.

What would I think about in bank and supermarket queues, in waiting rooms or on long flights?

As Shannah Kennedy says, “How can [you] back [yourself] for a promotion or a major work decision, or to make a career change, when [you] have lost who [you] are and what [you] want from life?” Substitute “writing” for work or career, and you have the dilemma facing many writers today.

Have you lost the joy that writing used to be? Has it become another chore on a never-ending to-do list? How do you recharge your personal batteries each day? Here are three ways I recharge mine. You don’t have to use the same ones, but try to think of at least three ways to suit your own needs.

1 – try something different

If you’ve been writing murder mysteries, would you enjoy trying a new genre – science fiction, say, or romance. Or family history. Write exactly what you feel like writing without thinking how it might fit a market. Some of the most successful novels have been those where the writer had no expectations beyond the work itself. 50 Shades of Grey, anyone? My latest project is a book co-written with Dr. Anita Heiss. Neither of us has written a novel with another writer before. It’s a huge adventure and we’re loving it. This book is “grip lit”, edgy women’s fiction with a smidgen of time travel all set in Hawai’i. Go figure. Writing with Anita, bouncing ideas around, is a breath of fresh air for us both. Try something new, something you’ve dreamed of writing. Have fun. See where it leads. That’s what we’re doing.

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2 – stop writing

This may seem odd advice when you’re already struggling to get your writing mojo back. But sometimes taking the pressure off can be the best course. Shannah Kennedy says right now we’re in a constant world of comparison – which affects women more than men. Taking time out to do something different is an ideal way to destress. Would you like to craft or paint? Do that. Read War and Peace? Do that. Walk in the park, sit on a beach or meditate in a corner of your garden. Chakra meditation which I’ve done for decades, is a great safety valve. Don’t try to be “perfect” at whatever you choose; do it for the pleasure it brings. Ignoring your writer voice for a while can have it clamouring for your attention. Two late great writers, Morris West and Maeve Binchy both announced their retirement at one point, then went on to produce new work I’m sure even they didn’t know was lurking in their subconscious.

3 – share the journey

Even if you’re a fairly new writer, you can exchange critiques with someone else at the same stage. If you’re farther along, share what you’ve learned with local groups, at conferences and writing centres. I love to teach, generally gaining as much from the group as I give them. On March 25 I’m launching a new workshop called Story Magic at the ACT Writers Centre in Canberra – details here http://tinyurl.com/gwedj7z I put the focus on the “magic” of writing – bringing readers into your fictional world; making them care about your characters, and stay with you to the last page.

I also mentor the winner of the Valerie Parv Award, held in April each year by RW Australia. I’m excited to see which entry will catch my eye. Winners have written everything from supernatural to sci-fi, historical, crime, fantasy and suspense. I work with the winner for a year, chasing their writing dreams. Nearly all the past winners are successfully published.

Do you struggle to balance writing with other life demands? How could you recharge your creative batteries? Share your thoughts in the comments below. They’re moderated to avoid spam, but comments can appear right away if you click “sign me up” at right. I don’t share your details with anyone. Happy writing!

Valerie

Check out my shiny new website http://www.valerieparv.com

I’m on Twitter @ValerieParv and Facebook

My latest book, Outback Code, is out now.

For international orders, print & ebook formats,

Booktopia http://tinyurl.com/hj3477e

From Amazon for Kindle http://tinyurl.com/hxmmqsk

First Monday Mentoring February – What’s the point of writing anything?

Lately I’m hearing this question a lot from writers, both aspiring and multi-published. They say creating a work of entertainment seems pointless in light of the political upheavals all around us, and shared in confronting detail on social media.

They’re questioning the wisdom of billionaire businessmen as romantic heroes when the paradigm is undermined by world leaders and politicians in the real world.

We have been here before. Waking up to the horrors of 9/11 in Canberra Australia, I first thought it was promotion for a movie. Would that it had been. Instead we all had to deal with the awareness that our world would never be the same again.

As terrorism became an escalating threat, I remember discussing with colleagues whether sheikhs could ever be heroes again, right when I had a romance novel called Desert Justice on the drawing board. Sheikhs have long been a romance staple, along with twins, secret babies and characters with amnesia. Readers enjoy these stories, especially when writers put our own twist on the trope.

I concluded that my sheikhs had nothing to do with reality and never had. They were fantasies I shared with readers all over the world. Mine were mostly reformers anyway, to fit my feminist inclinations. So Desert Justice went ahead.

Then there was the Y2K bug, (for Year 2000 bug) when we feared a worldwide computer meltdown because programmers had routinely shortened dates to two digits – 99 instead of 1999 – potentially causing every system in the world to go haywire or crash when the program spun over to 00. Time Magazine’s slightly tongue-in-cheek cover blared, “The end of the world? Y2K insanity. Apocalypse now! Will computers melt down? A guide to Millennium Madness”

time-magazine-cover-jan-18-1999

Tongue in cheek or not, Time’s publishers set up a bunker in their basement, equipped to produce the magazine in the event of catastrophic breakdowns. None of which, as we know now, were needed. The Y2K disaster never happened.

But most such fears have some basis in reality.

Nor do I mean to make light of our fears right now. In Writing in Difficult Times Kristine Kathryn Rusch blogs about her feelings after 9/11 at http://tinyurl.com/hwq5ke5 and says, “Writing didn’t matter when faced with the loss of life and the outpouring of grief. It didn’t matter in the face of the kinds of horrors human beings can impose on each other.

And the irony was, for me, I had been writing a book that I believed did matter, that it was about things people needed to know and see and understand. I felt passionate about the book, until the world changed.

“…And that was when I had my epiphany. I realized that escape is rest. It’s important. It gets us away from the horrors, the terrible things, the stresses and upsetting moments of everyday life.”644244_605309199480761_1647106081_n

I understand her feelings. Writing has never been easy even when you have a reliable publishing path and keen readers. When you have neither, the journey seems endless. But pointless? Never. I’ve been at book signings where my readers say they’ve stockpiled my books to help them through upcoming surgery. Or that something I’ve written has directly changed their thinking in some way, or given them comfort in a time of struggle. How can this not be valuable? In her blog, Kathryn sets out some sensible, doable steps to help deal with whatever crisis you’re facing. If it’s getting out there and applying your skills to help out, do that. If it’s donating money, or raising awareness, do that. It’s OK to give yourself permission not to write while you handle the crisis.

Then, when you’re able, get back to the keyboard and write your truths in your own way, as novels, movie scripts, articles or blogs. When you write from your own inner truth, your words will affect readers in ways you can’t even imagine. That’s a valuable contribution, too.

By making sense of your own world, you help your readers do the same. As long as you keep writing.

How are you dealing with the world today? Has it affected your writing? Comments are moderated to avoid spam but  appear right away for subscribers, or after you click “sign me up” at right. I don’t share your details with anyone.

Valerie

on Twitter @ValerieParv and Facebook

Valerie’s latest book, Outback Code, is OUT NOW,

3 books complete in one volume for summer reading

For international orders, print & ebook formats,

Booktopia http://tinyurl.com/hj3477e

From Amazon for Kindle http://tinyurl.com/hxmmqsk

First Monday Mentoring January – 5 things smart writers won’t take into 2017

 

Hi and welcome to First Monday Mentoring for January 2017. Not too many people are sorry to see 2016 over, as it came with more than its share of tragedy and loss. But focusing on loss is a good way to encourage more of the same. Better to focus on what we do want in the coming year, rather than what we don’t.

Anita in Honolulu with the cocktail that inspired our joint writing project

Anita in Honolulu with the cocktail that inspired our joint writing project

I hope as writers you have exciting plans for the year ahead, and lists of goals you’d like to achieve. I suggest breaking them down into bite size pieces so you can cross off small steps rather than have to wait to cross off one big step. For example, “write a book” is a giant step. A better approach is to list “start a new book” if you’re at that stage. Or if not, “develop book idea” then “outline book” and so on. “Write X words every day” is a good choice. Whether you choose 50 words or 500 matters less than having a measurable number you want to complete every working day.

My big goal for 2017 is writing a novel in collaboration with the much-loved writer, Anita Heiss. Neither of us has written a book with two voices, and we spent a few days in December brainstorming content and how the project would work. In line with the small steps advice, we plan to complete a partial for our agents to shop around, then work with two key characters each, the story alternating between them. Excited? You bet. I’ve already met my goal of writing the first 500 words by New Years Eve. Did another chunk to celebrate New Year’s Day. We’ll tweet and Facebook as we go along.

Anita and I after our brainstorming getaway

Anita and I after our brainstorming getaway

Check out Anita’s blog on the project  https://anitaheiss.wordpress.com/2016/12/22/52-weeks-of-gratefulness-week-50-working-with-the-best/

Now for 5 things smart writers won’t take into 2017:

1 – A cookie-cutter story. Whatever genre you write in, push yourself to write something special, unique to your voice and interests.

2 – Lack of respect for your readers. You need to bring your A-game to whatever you write. Every story is worthy of your best work, for yourself and your readers.

3 – A blasé attitude toward craft. Even if you indie publish your own work, make sure you hire a good editor, cover designer and whatever else you need to put your best work forward. Trad pubbed authors also need to address these concerns in conjunction with your agent and publisher. Never stop learning and developing.

4 – Lack of faith in yourself. Over many years I’ve found that insecurity is a hallmark of every successful writer. Even New York Times’ Bestselling authors feel unsure if they’ve achieved what they wanted for their books. Rather than letting their fears beat them, they push themselves to do better with everything they write, and so can you.

5 – Buying into the gloom and doom. As I said above, it’s better to aim for your highest goals rather than run away from what you don’t want. Writing a book is tough enough without dragging along the baggage of bad news, political angst and fear of the future. What will be will be. If you have to, watch or listen to less news, and focus on the good in your life. Bring that to your writing and I guarantee you’ll see a difference.

Share your thoughts in the comment box below. Comments are moderated to avoid spam but  appear right away for subscribers, or after you click “sign me up” at right. I don’t share your details with anyone. Thanks for your support. Have a happy and creative New Year!

Valerie

on Twitter @ValerieParv and Facebook

Valerie’s latest book, Outback Code, is OUT NOW,

3 books complete in one volume for summer reading

For international orders, print & ebook formats,

Booktopia http://tinyurl.com/hj3477e

From Amazon for Kindle http://tinyurl.com/hxmmqsk

 

 

 

 

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