Lately I’m hearing this question a lot from writers, both aspiring and multi-published. They say creating a work of entertainment seems pointless in light of the political upheavals all around us, and shared in confronting detail on social media.
They’re questioning the wisdom of billionaire businessmen as romantic heroes when the paradigm is undermined by world leaders and politicians in the real world.
We have been here before. Waking up to the horrors of 9/11 in Canberra Australia, I first thought it was promotion for a movie. Would that it had been. Instead we all had to deal with the awareness that our world would never be the same again.
As terrorism became an escalating threat, I remember discussing with colleagues whether sheikhs could ever be heroes again, right when I had a romance novel called Desert Justice on the drawing board. Sheikhs have long been a romance staple, along with twins, secret babies and characters with amnesia. Readers enjoy these stories, especially when writers put our own twist on the trope.
I concluded that my sheikhs had nothing to do with reality and never had. They were fantasies I shared with readers all over the world. Mine were mostly reformers anyway, to fit my feminist inclinations. So Desert Justice went ahead.
Then there was the Y2K bug, (for Year 2000 bug) when we feared a worldwide computer meltdown because programmers had routinely shortened dates to two digits – 99 instead of 1999 – potentially causing every system in the world to go haywire or crash when the program spun over to 00. Time Magazine’s slightly tongue-in-cheek cover blared, “The end of the world? Y2K insanity. Apocalypse now! Will computers melt down? A guide to Millennium Madness”
Tongue in cheek or not, Time’s publishers set up a bunker in their basement, equipped to produce the magazine in the event of catastrophic breakdowns. None of which, as we know now, were needed. The Y2K disaster never happened.
But most such fears have some basis in reality.
Nor do I mean to make light of our fears right now. In Writing in Difficult Times Kristine Kathryn Rusch blogs about her feelings after 9/11 at http://tinyurl.com/hwq5ke5 and says, “Writing didn’t matter when faced with the loss of life and the outpouring of grief. It didn’t matter in the face of the kinds of horrors human beings can impose on each other.
And the irony was, for me, I had been writing a book that I believed did matter, that it was about things people needed to know and see and understand. I felt passionate about the book, until the world changed.
I understand her feelings. Writing has never been easy even when you have a reliable publishing path and keen readers. When you have neither, the journey seems endless. But pointless? Never. I’ve been at book signings where my readers say they’ve stockpiled my books to help them through upcoming surgery. Or that something I’ve written has directly changed their thinking in some way, or given them comfort in a time of struggle. How can this not be valuable? In her blog, Kathryn sets out some sensible, doable steps to help deal with whatever crisis you’re facing. If it’s getting out there and applying your skills to help out, do that. If it’s donating money, or raising awareness, do that. It’s OK to give yourself permission not to write while you handle the crisis.
Then, when you’re able, get back to the keyboard and write your truths in your own way, as novels, movie scripts, articles or blogs. When you write from your own inner truth, your words will affect readers in ways you can’t even imagine. That’s a valuable contribution, too.
By making sense of your own world, you help your readers do the same. As long as you keep writing.
How are you dealing with the world today? Has it affected your writing? Comments are moderated to avoid spam but appear right away for subscribers, or after you click “sign me up” at right. I don’t share your details with anyone.
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