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First Monday Mentoring Oct – what writing festivals do for you

Money’s tight and living costs keep rising, I get that. Plus writing has never been a profession to make easy money. But recently I hear a lot about how expensive it is to attend writing conferences and festivals, many writers saying they can’t justify the expense.

My response is how can you not justify the expense? Perhaps you have a day job and it’s hard to get the time off. Yet writers whose time is flexible still resent the cost and time to attend these events.

Most professions require continued education. Why should writing be any different? In my long career I’ve had millions of words published in a variety of genres and translations but there’s always more to learn. Attending conferences and festivals lets me monitor changes in publishing, book marketing, indie publishing, and the fast-spinning world of social media. I’m also interested in other writers’ experiences. Not everything you hear at conferences and festivals shows up on social media.

The personal interactions are invaluable. We work alone a lot of the time. Getting out and “peopling” as a colleague puts it, not only renews friendships, but lets us discuss aspects of craft that don’t fit into a Facebook post or tweet.

I was reminded of these benefits at the recent Canberra Writers Festival where my agent, Linda Tate, and I presented a session at the National Library of Australia on how we work together, subtitled “how not to be screwed in 21st century publishing.”

Agent Linda Tate (left) and me with my books at the National Library of Australia before our presentation

Even savvy writers can be screwed in everything from contracts to options, advances and royalties. Before Linda became my agent twenty-plus years ago, I dodged a few bullets myself. And I can tell you, it makes a huge difference having someone else track those bullets, freeing me to focus on the writing.

As an indie, you can screw yourself unintentionally in the many details you must cover on your own account. An example is buying ISBN numbers (International Standard Book Numbers) your book’s ID in the reading world. Buying your ISBN numbers from, say, CreateSpace, can mean they are identified as the publisher instead of you. There’s a comprehensive article on ISBNs at the Self Publishing Advice Centre  http://tinyurl.com/yc92hqdx This is just one of many pitfalls indies have to negotiate.

As Linda and I are based in different capital cities, preparing our session, presenting it and sharing the success afterward were benefits of being on the festival program. We outlined how we work together, very differently from most author-agent relationships.  Her background is in the entertainment industry, so she isn’t inclined to submit books then wait months to hear back. Instead, she paves the submission’s way with the editor then calls to see how they’re enjoying the read.

Signing one of my books at the Canberra Festival

Whether you’re traditionally or indie published, if you have an agent and they aren’t keeping up, maybe check with them about new ways you can interact. If you don’t have an agent and want one, ask them to detail how their approach can be tweaked to better serve your books.

Like conferences and festivals, agents come with a cost. However a good agent not only recoups their commission in the deals they make, but the relationship should be more beneficial overall.

Here I need to address the “it’s all right for you” syndrome. Successful authors are supposed to take in stride the cost of attending writing events. Generally we do for the benefits described here, but bear in mind that every successful author started with a first book, building our brand steadily over many years. While nothing beats writing the best book you can,  mixing with writing professionals help us achieve our success, not the other way around.

As a writer do you attend festivals and writing conferences? Please share your thoughts and experiences in the comment box below. They’re moderated to avoid spam but your posts go up right away if you subscribe – click “sign me up” at right. I don’t share your details with anyone.

Happy writing,

Valerie

on Twitter @ValerieParv and Facebook

Workshop Townsville : 7 October  Story Magic Townsville Writers & Publishers Centre https://townsvilletickets.com.au/event/story-magic-with-valerie-parv-5096

Masterclass  Canberra : 18 November  Romance Writing Re-imagined  ACT Writers Centre  https://www.eventbrite.com/e/romance-writing-re-imagined-with-valerie-parv-tickets-35421113504?aff=Valerie 

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First Monday Mentoring Sept 2017 – are you the next Valerie Parv Award writing winner

The Romance Writers of Australia national conference is done for another year, and with it the crowning of the latest Valerie Parv Award winner for 2017. She is Joanna Nell whose entry, The Unmentionables, deals with life and love in later years. I’ll be mentoring Joanna during the year of her award.

Joanna is the newest of my minions – the name past winners chose for themselves. They keep in touch, share their achievements, and we hold our annual Minions’ Breakfast at conference each year. Tiaras are worn and Joanna received hers at the RWA annual conference in Brisbane recently.

Judging and presenting this award is an exciting challenge and an honour. Thanks Romance Writers of Australia and Romance Writers of America’s former Australian Chapter where the award began.

As I read the short list I am very aware of the commitment behind every one. I know it’s a cliché but I see every finalist as a winner. You’ve shown you can write a book to suit your chosen market, and you’ve met the contest deadline.

Reaching the finals means your work has something special. I write an appraisal of every final entry to encourage you to keep striving. Minion achievements include everything from RWA’s Romantic Book of the year, to Romance Writers of America RITA awards for published books, and Golden Heart for unpublished. Minions regularly grace the Australian Romance Readers Awards , the USA Today and other bestseller lists and in one case, get reviewed by the Wall Street Journal.

Congratulations to JOANNA NELL (left)
Valerie Parv Award Winner for 2017

Winners’ books are published by all the major publishing houses here and internationally and their readers number in the millions. You can see who they are on the VPA Hall of Fame at www.valerieparv.com/vpa.html

Entries needn’t be exclusively romance. This year’s finalists included a Regency-set historical with a heroine posing as a pirate; my first-ever heroine specialising in dung-beetle reproduction; a beautifully-handled disabled heroine; a runaway bride and a reunion romance with a cranky heroine. Plus of course, Joanna Nell’s topical romance in later years.

So how do you become the next VPA minion? I take four aspects into account.

  1. You need to write from the heart

Every highly placed entry over the last 18 years has been a labour of love – and it shows. The writer has written a story s/he’s passionate about and can’t wait to share with readers. They aren’t always perfectly written, but they have compelling characters we care about from the beginning.

  1. You need a touch of originality

You don’t have to break the mould with a defrocked nun or a Playboy model character, although we have had a cross-dressing Regency hero, a gnome kidnapping conspiracy, and fairies on crack among past winners. If two entries vie for the top prize, I tend to favour the more original. Yes, there are conventions in every genre, such as the happy-ever-after in romance and the dead body in a mystery, but there should be something that transcends genre, giving us story we haven’t read before.

  1. You need to be a storyteller

I don’t use a score sheet to judge the final entries. I’m more interested in whether you give me a strong opening, a story that comes to life right away, and people I can care about and want to see succeed against the odds. I’m happy to read in any setting or time period and will forgive a few mistakes as long as you tell a gripping story. This doesn’t mean ignoring grammar or spelling, but they can be fixed. It’s far harder to fix a lifeless story.

  1. You know where you want the book to go

The winner can pick my brains, share questions and concerns, and have me critique work as we go along. I read with an editorial eye, helping the author to spot issues they may have missed through being too close to the work. The one thing I don’t do is alter the author’s voice. Ultimately, this is your story told in your unique way.

Finally there’s the X-Factor. Call it natural talent, star quality or the X-factor, it’s the extra something readers recognise as soon as they see it. The moment I start reading I know when the writer’s voice has the power to lift the hairs on the back of my neck. The book may not be the one I want to choose as the winner, but the choice will be inescapable.

Does your story have these qualities? The Valerie Parv Award 2018 opens on April 9 and closes on April 30, 2017. Details at http://tinyurl.com/y74gar78  Have you entered previously, or plan to next year? Share your thoughts here. The blog is moderated to avoid spam but your comments can appear right away if you click “sign me up” at right. I don’t share your details with anyone.

Happy writing!

Valerie

STORY MAGIC WORKSHOP, TOWNSVILLE

Valerie will present her Story Magic Workshop in Townsville, Queensland
on Saturday October 7
Valerie will also attend a Romantic High Tea on Sunday, October 8
Contact the
Townsville Writers and Publishers Centre

on Twitter @ValerieParv and Facebook

Valerie’s book, Outback Code, is out now

3 books complete in one volume

For international orders, print & ebook formats,

Booktopia http://tinyurl.com/hj3477e

From Amazon for Kindle http://tinyurl.com/hxmmqsk

First Monday mentoring for 2013 – focus your writing life

Happy New Year.

Is this the year you finish your manuscript, self-publish new work, try a new genre? Whatever your hopes and dreams, this is a great time to bring them into focus.

First Monday Mentoring is our water cooler. Join me here on the first Monday of each month to talk about your plans, ideas and aspirations. Some talented writers and teachers visit this blog. Whatever your question about craft, writing life or getting published, you can ask it here.

To get us off and running, here are some ways to bring your plans into focus and reach your goals.

Set goals for yourself, never mind what others think

Set goals for yourself, never mind what others think

1. Know what you want to achieve.

Before setting off on a trip it helps to have at least some idea of where you want to end up. Depending on where you are in your writing journey, your “destination” may be to enter a contest and get feedback from the judges, or have a set amount of work written for a critique group or online support group every time you meet. If you’re more experienced, your goal may be to find an agent. Researching which agents work in the areas where you want to be published is a good start. Next would be writing or emailing them, or arranging to pitch an idea to them at a conference. Some writers may want to check out epublishing your own book or backlist. Again, what time frame would get you there?

2. Set definite steps to reach your goal

If you want to finish a novel or novella this year, how many words do you need to write? Breaking the total up into a weekly or daily word target will help you stay focussed and reach your goal in your preferred time frame. Remember to build in some time for family emergencies, illness and life getting in the way. If you want to meet a certain agent, you’ll need to plan ahead, find out any conferences where they may take pitches, and sign up. Or send out a certain number of emails each week until you get a positive response. Submitting work to publishers or teaching yourself epublishing can be handled in the same way.

3. Celebrate your milestones

When you get a positive response, even if it’s a “no” for now, celebrate. You kept your deal with yourself, sent out the emails, wrote the daily or weekly word count. Break out the champagne, chocolate or celebration of choice, see a movie, meet friends and share the joy. In the writing game, progress can be dauntingly slow.  Don’t wait till the book is in the ereader or on the shelf to celebrate your achievements. By then, readers will be looking for your next work. Take time now to enjoy the journey.

Can you think of any other steps to get you closer to your goals this year? Do you have questions you’d like answered? This is the place. I’ll be over by the water cooler ready and willing to help.

If you’re not sure what you’d like to achieve this year, why not read in your choice of genre and learn as you go, studying how the books are written, who is publishing them, and how you can make yours special within the demands of that genre.

Hint: if romantic suspense with a hint of science fiction appeals, you can read my latest book, Birthright (Corvallis Press) on Amazon for Kindle and Barnes & Noble for Nook. Post a review anywhere on line before the end of January and share the link here, to be in the running for a $50 Amazon gift voucher judged by my agent, Linda Tate. The winning review will be reposted here.

Let’s make 2013 a year to remember.

Valerie

http://www.valerieparv.com

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on Twitter @ValerieParv and Facebook

Read some reviews already up at http://www.valerieparv.com/birthright.html

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