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Posts tagged ‘indie publish’

First Monday Mentoring January – 5 things smart writers won’t take into 2017

 

Hi and welcome to First Monday Mentoring for January 2017. Not too many people are sorry to see 2016 over, as it came with more than its share of tragedy and loss. But focusing on loss is a good way to encourage more of the same. Better to focus on what we do want in the coming year, rather than what we don’t.

Anita in Honolulu with the cocktail that inspired our joint writing project

Anita in Honolulu with the cocktail that inspired our joint writing project

I hope as writers you have exciting plans for the year ahead, and lists of goals you’d like to achieve. I suggest breaking them down into bite size pieces so you can cross off small steps rather than have to wait to cross off one big step. For example, “write a book” is a giant step. A better approach is to list “start a new book” if you’re at that stage. Or if not, “develop book idea” then “outline book” and so on. “Write X words every day” is a good choice. Whether you choose 50 words or 500 matters less than having a measurable number you want to complete every working day.

My big goal for 2017 is writing a novel in collaboration with the much-loved writer, Anita Heiss. Neither of us has written a book with two voices, and we spent a few days in December brainstorming content and how the project would work. In line with the small steps advice, we plan to complete a partial for our agents to shop around, then work with two key characters each, the story alternating between them. Excited? You bet. I’ve already met my goal of writing the first 500 words by New Years Eve. Did another chunk to celebrate New Year’s Day. We’ll tweet and Facebook as we go along.

Anita and I after our brainstorming getaway

Anita and I after our brainstorming getaway

Check out Anita’s blog on the project  https://anitaheiss.wordpress.com/2016/12/22/52-weeks-of-gratefulness-week-50-working-with-the-best/

Now for 5 things smart writers won’t take into 2017:

1 – A cookie-cutter story. Whatever genre you write in, push yourself to write something special, unique to your voice and interests.

2 – Lack of respect for your readers. You need to bring your A-game to whatever you write. Every story is worthy of your best work, for yourself and your readers.

3 – A blasé attitude toward craft. Even if you indie publish your own work, make sure you hire a good editor, cover designer and whatever else you need to put your best work forward. Trad pubbed authors also need to address these concerns in conjunction with your agent and publisher. Never stop learning and developing.

4 – Lack of faith in yourself. Over many years I’ve found that insecurity is a hallmark of every successful writer. Even New York Times’ Bestselling authors feel unsure if they’ve achieved what they wanted for their books. Rather than letting their fears beat them, they push themselves to do better with everything they write, and so can you.

5 – Buying into the gloom and doom. As I said above, it’s better to aim for your highest goals rather than run away from what you don’t want. Writing a book is tough enough without dragging along the baggage of bad news, political angst and fear of the future. What will be will be. If you have to, watch or listen to less news, and focus on the good in your life. Bring that to your writing and I guarantee you’ll see a difference.

Share your thoughts in the comment box below. Comments are moderated to avoid spam but  appear right away for subscribers, or after you click “sign me up” at right. I don’t share your details with anyone. Thanks for your support. Have a happy and creative New Year!

Valerie

on Twitter @ValerieParv and Facebook

Valerie’s latest book, Outback Code, is OUT NOW,

3 books complete in one volume for summer reading

For international orders, print & ebook formats,

Booktopia http://tinyurl.com/hj3477e

From Amazon for Kindle http://tinyurl.com/hxmmqsk

 

 

 

 

First Monday Mentoring for June – the joy of series for readers and writers

This week a new writer asked me if he should tell the publisher he was submitting to that his book was the first in a series. This is a fair question, as many books come out in series these days and are enormously popular with publishers and readers.
The answer depends on your relationship with the publisher. If you have a track record, even in other areas of writing, the publisher may be open to considering your book as part of a series. More likely, however, they would want to publish the first book as a stand-alone to see how it does before committing to more of the same.
Of course if you indie publish, you can do as you like, although I advise you to write two or three books in the series before self-publishing the first. Just as online streaming of movies and TV shows has led to “binge watching”, many readers prefer to collect an entire set of books before starting on the first. Recently I read two books in a series only to find I didn’t have book #3, although I did have book #4. I jumped on to Amazon and downloaded the next book to my Kindle so I could read the in-between book before continuing to the final one. Impatient? Who me? But I have a lot of company.
The results can be rewarding, with follower numbers growing as more books come out. Think of Diana Gabaldon’s “Outlander” series or Stephenie Meyer’s “Twilight” books. Characters such as Sherlock Holmes, Clive Cussler’s Dirk Pitt, and many others have passionate followings.
If you’re writing series characters or settings, there are a few things to keep in mind:
1. Each book needs to provide a complete story within the pages, even if you have an over-arching story that all the books will span. This leaves readers satisfied but also keen to read the next book in the series. Readers regard your characters as friends, and your settings as places they can feel at home.
2. Filling in backstory in the second and subsequent books needs to be done with a light hand. Too much back story bores the people who read the first book. Too little annoys readers who’ve just discovered your series.

3. Each book should raise the stakes, while introducing new characters and story elements, to avoid any feeling of repetition.
4. If you use familiar elements such as vampires, royalty, small towns etc. you need to give the books your own unique twist.

 

The best aspect of series writing is being able to fully develop your fictional world. My current Beacons series of sci-fi romances is set in my own South Pacific Kingdom of Carramer, which began as the setting for several series of romantic suspense novels. Although frankly, if I’d known I would set eighteen books in Carramer, I would probably not have outlawed divorce. Over the years, getting characters out of marriages that aren’t working has been an interesting challenge.
When I decided to write the Beacons series, Carramer was a natural choice of setting. I’d always wanted to explore the province of Atai and its population of indigenous people. I saw them as very spiritual, making it easy to place a private space program there and include their natural mysticism in the story.

 

The next novella in the Beacon series, Continuum, is out next Thursday, June 9, published by Momentum, Pan Macmillan’s digital-first imprint. The three books in the series span the role my Beacons and their superpowers play in defending the Earth against a massive alien threat. Having two novellas in between let me explore individual characters and their histories.

This is another advantage series have over single titles – readers get to know your characters more thoroughly than they might in a solo book.

Cover Continuum
However you approach your series, readers should want to find out what happens next in your world. From the outset, it helps to have an idea of the overall story arc, as J K Rowling did with the Harry Potter books. You don’t need to know everything that happens. With the Beacons series, I certainly didn’t. But I did know how the story would play out at the end, rather like setting out on a journey with the destination in mind even if you aren’t sure of the exact route you’ll take.

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Finally, here are five Cs to include in your series:
• Characters – real people your readers come to care about and want to spend time with.
• Continuity – also known as Consistency – if you introduce elements in one book, make sure they are consistent with what happens in the next or previous books. Keep a series “bible” of physical descriptions, back story and other elements in file card form, as charts or on a program such as Scrivener, for quick reference as the series progresses.
• Complications aka Conflicts – even characters with superpowers, like my beacons, must have failings and difficulties to overcome, ideally in each book, the challenges growing to almost unbearable level by series end.
• Change – also known as Character Development. Your story people should grow and change as they overcome the obstacles in front of them.
• Completion – unless you want to keep the series going – and readers will love you if you do – you should tie up any loose ends by the final book. It’s easy to lose track of an individual and leave their story hanging, but trust me, you’ll hear about it from readers. In my romantic suspense series, Code of the Outback, I dealt with the stories of a woman and her two foster brothers. In the final book I mentioned a third brother but didn’t give him his own story. I was still getting emails about him years after the series ended, until I finally wrote his story in a novella, so readers could stop worrying about him.
How do you like to read series books? Do you have favourites? As a writer, do you have a series on the drawing board? This blog is moderated to avoid spam but your comments can appear right away if you click “sign me up” at right. I don’t share your details with anyone.

Happy writing,
Valerie
on Twitter @ValerieParv and Facebook
Follow Valerie’s Beacon sci-fi series
Beacon Starfound OUT NOW
Beacon Earthbound OUT NOW
Beacon Continuum OUT JUNE 9Beacon Homeworld coming June 30
via Amazon.com.au Amazon.com & Amazon.co.uk – also
Barnes and Noble (Nook devices)
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First Monday Mentoring for April – how to think like a pro writer

It’s First Monday again, time to share your thoughts and have me answer any questions you have to do with writing. Today’s first question comes from a panel I was on at the last GenreCon event in Brisbane: Think Like a Pro. It was about crossing over from hobby writer to professional, so I added “writer” to “pro” to head off the smart comments I was getting on Facebook and Twitter

They reminded me of being interviewed by Ray Martin,when I said in all seriousness, romance is the root of everything. The studio audience erupted with laughter. Ray waited, then added quietly, “You said it, Valerie.” So pro writer it is.

Writing is often about aptitude, being born with the storytelling gene, as I believe nearly all successful writers to be. Professional writing is about attitude. It involves learning to see yourself differently, and training others in your life to see you the same way.

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I started out writing everything from press releases to non-fiction before progressing to novels. My first mentor taught me to value my time, setting myself a nominal hourly rate. If I could get non-writing work done for less than this hourly rate, I was better off hiring someone while I wrote new words or developed a submission for a publisher. I still hire computer help, lawn care, book-keeping or whatever else I need so I can focus on my core business of writing.

Working with an agent – or freelance editor if you plan to indie publish – should be seen as an investment. At a minimum, a good agent covers their fee and then some by gaining better deals for you. Mine certainly does.

Writing may be a labour of love but to succeed long term, you need to treat it as your job. Hearing friends say, “I’ve finished writing for the day, now I’m off to work” makes me want to throw things.

Writing IS work. It may not be your day job for now, but as a pro writer, that’s your goal. It helps to tell friends and family, “I’m working” rather than “I’m writing.” Which makes you sound more like a professional?

Here are my four tips for thinking like a pro writer –

1. Put a value on your time. As soon as you can afford it, hire help to leave yourself free to write. Sometimes committing yourself to an expense such as child care or computer advice can spur you to work harder to cover these expenses.

2. Schedule your writing as work. Even if you can only set aside half an hour a day, or commit to writing 250 words, regard it as inviolate and hold yourself accountable to produce results.

3. Make writing a habit. Keep a diary of the words you produce toward your target. If you miss a day, make it up as soon as you can. Don’t worry if writing full time seems a long way off. The discipline of writing around other commitments can mean producing more work than if you have whole days available. The saying that work expands to fill the time available is especially true of creative writing.

4. Allow yourself thinking time. Find a writing place where you don’t feel compelled to “look busy.” Thinking and pushing your ideas to the limit IS important if you’re to create something new and exciting. We writers are working when we’re staring out of windows.

Now it’s your turn. What beliefs and practices turn you from a wannabe to a pro writer? Share your thoughts in the comments below. If you want your comment to appear without moderation, click on the “sign me up” button to subscribe. I don’t share your email details with anyone.

Valerie

About the author
Valerie Parv is one of Australia’s most successful writers with more than 29 million books sold in 26 languages. She is the only Australian author honored with a Pioneer of Romance Award from RT Book Reviews, New York. With a lifelong interest in space exploration, she counts meeting Neil Armstrong as a personal high point. She loves connecting with readers via her website valerieparv.com @ValerieParv on Twitter and on Facebook. She is represented by The Tate Gallery Pty Ltd tategal@bigpond.net.au

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