Over and over, we’re hearing how our world has changed. If you’d told me last August that I’d be announcing the winner of the 2020 Valerie Parv Award via Zoom at a virtual writing conference, I’d have said you’re dreaming. But thanks to a nasty bug which doesn’t need any more publicity, this is our “new normal.”
Even more astonishing is that this year we’re celebrating 20 years of the Valerie Parv Award under the banner of Romance Writers of Australia.
The winner’s name is a secret until the official announcement later this month but the short list is already out. Congratulations to the finalists, in no particular order, Amanda Newberry, Karen Lieversz, Kristin Silk, Davina Stone, Dianna Lennon, Rachel Armstrong and Frances Dall-Alba. One of you will be my new “minion” as past winners call themselves. As a previous minion tweeted when the list came out, someone’s life is about to change and they don’t even know it.
I’m always thrilled to see the minions winning awards, publishing all over the world, and becoming great friends. The saying is, “once a minion, always a minion.” Sadly, a virtual conference doesn’t allow our annual Minions’ Breakfast where we catch up wearing our special tiaras.
This year, because of the lockdowns, we all got so much writing done. Yeah, me neither. The world is so crazy that it can be difficult to write at all, with crafting and baking having more appeal. When actor, Debra Lee Furness, complained about being locked down with her family, a friend said she had no sympathy. Asked why, the friend pointed out that Furness was locked down with Hugh Jackman. Such a sacrifice.
Despite such challenges, this year’s VPA finalists are an impressive group. The entries ranged from a gritty Regency heroine; to a reunion romance; a challenging birthday gift; a mismatched couple finding love in the outback; an escape-worthy fling in the fairytale world; a friends-to-lovers story; and a page-turner “secret baby”.
The final entries, give readers respite or head-on challenges, sometimes both. There’s much experimenting with present tense. Backgrounds are sketched in with a light hand..
So how does a writer become the next VPA minion? These are some aspects I take into account:
- You write from the heart
Every highly-placed entry is a labour of love and it shows. Your story may not be perfectly written but your characters are people we care about from the start.
- You add a touch of originality
If two entries vie for the top prize, I generally favour the more original. Your story will have something special that transcends genre.
- You’re a storyteller
I look for a story that comes to life right away, giving us people we want to see triumph against the odds. I’ll read any genre or time period as do agents and editors. Like them, I forgive occasional writing slips as long as you give me a page-turning story.
- You have the X-factor
I know it as soon as I see it. The entry may not be the one I want to choose but the writing makes the choice inescapable. In her winning book, Shadowfae, Erica Hayes thanked me “for wanting so hard for this book not to win, that it did.” A great review in the Wall Street Journal backed me up.
In The Last Voyage of Mrs Henry Parker, one of two books we worked on together, minion Joanna Nell included her “heartfelt thanks…for encouraging her to trust her instincts and tell [her] story from the heart.” IMO this is the very best way to write.
Rather than answers, I give the minions tools they can apply to any story. For example, identify the work the writing has to do. Every sentences, scene and chapter must have a job to do, revealing character, moving the story forward, deepening conflict, filling in essential background, or in a mystery/suspense, planting clues and red herrings.
Another VPA minion, Carly Main, said, “I’ve tried a few critique partners but nobody has ever suggested new ways of telling the story. Is it a matter of experience or do published authors look at manuscripts in a different way?”
I can’t speak for other authors, but I’ve known that once you identify why a scene or chapter is in there, you open up dozens of ways to achieve the purpose, rather than simply rewriting the scene in different words, making rewriting and editing much simpler.
A well-honed story sense is part of the X-factor. The rest is studying your craft to discover not only what works but why. Curiously, however far you go into fantasy and sci-fi, or human psychology, as author and TV show-runner, John Yorke, points out, the basic human story structure remains constant, explaining the world to us, and us to ourselves.
Could you be a future VPA minion? Share your thoughts in the comment box below. The blog is moderated to avoid spam, but your comment can appear right away by clicking on “sign me up” at right. I don’t share your details with anyone. Happy writing,
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Romance Writers of Australia virtual
conference details at – http://tinyurl.com/yyk76wyd