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Posts tagged ‘Kathryn Fox’

First Monday July 2019 – why authors don’t have to go it alone

There have been many successful collaborations between writers, among them Terry Pratchett and Neil Gaiman’s Good Omens, Larry Niven and Jerry Pournelle’s The Mote in God’s Eye, Stephen King and Peter Straub’s The Talisman, and The Guernsey Literary and Potato Peel Pie Society written by Mary Ann Shaffer and completed by her niece, Annie Barrows. Actor, writer and philanthropist, William Shatner, manages his prodigious output by working with co-writers including Judith and Garfield Reeves-Stevens, David Fisher and Chris Regan.

Romance writer, Emma Darcy, was the pen name of couple, Wendy and Frank Brennan. After Frank’s death, Wendy carried on the Emma Darcy name alone.  I also have a prized copy signed by all four contributors to Dead of Night a series of paranormal stories by Nora Roberts writing as J.D.Robb, and her friends, Mary Blayney, Ruth Ryan Langan and Mary Kay McComas.

The world’s biggest-selling author, James Patterson, teams up with other writers because he surely has more ideas than one person could write in a lifetime. One of his books, Private Sydney, was co-written by Australian crime writer, Kathryn Fox.

2018-19 Valerie Parv Award minion Stella Quinn

You can also manage your stress by having friends watching your back. For 38 years my late husband helped me brainstorm plots and research aspects of his life such as serving in three armies and hunting crocodiles in the Northern Territory. In turn I wrote gags for his cartoons.

Other support services I use include accounting, legal advice, IT support, website design, gardening, cleaning and general hand-holding. I value all these people, but especially the latter. Let’s face it, nobody understands the struggles and joys of writing quite like another writer.

They’re there for me when the ideas refuse to come, when I’ve made a best seller list and even when I’ve had to kill off a character. In turn I’m there for my writing BFF s– the Bat Cave members know who you are. We’ve met up all over Australia and the world. I’ve even combined some roles, taking two bat friends we dub The Three Batketeers to a personal meet-up with William Shatner.

My agent of more than 20 years, Linda Tate, deserves special citation. She runs a “people gallery” of celebs, sports people and creatives including Mr Movies, Bill Collins, who died recently. When I met Linda, my goal was to be to romance writing what Bill Collins was to movies. While nobody can match his encyclopedic knowledge of film lore, with Linda’s help I’ve come close, being made a Member of the Order of Australia (AM) for writing and mentoring.

Among my closest supporters are the minions, as the past winners of the Valerie Parv Award run by Romance Writers of Australia, call themselves. We share a unique rapport that goes beyond the mentoring I do while they hold the award. Next month at RWA’s annual conference  I’ll crown the newest minion, and we’ll celebrate at the much-anticipated annual Minions’ breakfast.

The same conference will see my agent and I presenting a session on Getting Back the Joy of Writing. With the publishing industry in such turmoil, joy is needed more than ever, whether you’re traditionally published, indie or a hybrid of both.

Agent Linda and me giving a talk at the National Library, Canberra

Writers tell me they’re overwhelmed by everything they have to do, from promoting on social media to designing covers and hiring their own editors if they’re indie publishing, leaving little time to enjoy the writing process.

Some writers say they feel ready to give up as burnout looms, or sadly, after it hits. In our session, Linda and I will look at better ways for writers to manage these and other stresses.

Your stories are precious gifts only you can share. Even if you work with another writer the resulting gestalt will be unique. It’s so sad when a writer dies with her work locked inside her, like friends who’ve planned to write “someday” which we all know never comes

Some say they’d like some help, but can’t afford the luxury. How can you not afford people who free up your energy so you can write? In my opinion this help is beyond price. Look around you. Who among your group would brainstorm ideas, share info they know and you don’t, celebrate your triumphs and be there when you struggle? Using professionals is a test of your professionalism. Plus your cheer squad will be there with wine, chocolate or funny memes to lift you up so you can keep writing.

Who has your back? Is it a partner, writing friends, paid professionals or a combination? Find them and value them and you’ll never write alone.

Share your thoughts in the comments below. It’s moderated to avoid spam but your comment can appear right away if you click “sign me up” at right. I don’t share your details with anyone.

Happy (and joyful) writing,

Valerie

www.valerieparv.com

@valerieparv on Twitter and Facebook

Valerie and her agent, Linda Tate are

presenting at Romance Writers of Australia’s

National Conference Sun 11 August 1-2pm

http://tinyurl.com/y52tghw4

 

First Monday Mentoring, July 2016 – how NOT to be a writer in the 21st Century

Welcome to First Monday Mentoring, when I answer your questions about the writing craft and the fun stuff about being a writer.

This week’s blog was inspired by an email conversation with a columnist in a regional newspaper (themselves, sadly a dying breed). The column has no website, no email, no means of getting in touch other than by mail or phone.

When I finally tracked down an email contact to compliment the writer, he was predictably pleased that I’d reached out. But on the bottom of his response was the line, “I don’t read all my emails…pick up the phone.”

Well, no. Writers don’t get to tell our readers/customers how they can read our work. That’s up to them.  I used to wonder how you could read my books on a phone. In a word, convenience. You nearly always have a phone with you.

Beacon Homeworld 2

My current Beacon sci-fi series is published by Momentum, the digital-first arm of Pan Macmillan with the last in the series, Homeworld, released last week. I had to edit the series entirely online, rather than marking up a printed copy, which used to involve a language of editorial squiggles we mostly don’t see any more. To me, the hash sign # still suggests “space out” and we’re not talking taking illicit substances, but spreading out a piece of copy.

No longer. I love hashtags because they connect people to your conversation. The Twitter hashtag #AmWriting is read by millions around the world who share an interest in the writing process.

I admit I sometimes struggle with technology. Sometimes it’s me; sometimes the technology. But I soldier on because it’s fun  being part of this exciting world.

Celebrating a couple of decades working together, my agent gifted me an iPad Mini, a generous gift by any standards. I felt totally challenged by it but persevered and it’s now the best camera I’ve ever had. Not long ago, I had a live chat on it with writer friend, Jennie Adams. For her, it was early evening in Australia. For me, it was midnight in Las Vegas and we chatted as I waited for a flight #lovemyiPad

Other ways NOT to be a writer today:

Refuse to deal with ebooks.

Like most writers, I like print books, but my Kindle has over 500 books on it. Sometimes I’ll read the ebook version because I can have it NOW. Then I’ll order a print copy, especially nonfiction, to study at leisure.

Overlook technology in your stories

I see this a lot with entrants in the Valerie Parv Award run by Romance Writers of Australia. Too often characters are stuck in last century. There’s almost nowhere your characters aren’t linked by their devices. I’m judging this year’s finalists very soon with the hashtag #ValerieParvAward on Twitter and I’ll be looking for tech savvy characters.

Change the story to take account of real life. You can only have batteries go flat so many times. Likewise, in a story, you can only have doubt about a person’s parentage for two weeks or less, before DNA testing gives the answer. In Private Sydney, written with James Patterson, Kathryn Fox wrote about new technology that gets it down to one hour and while not as detailed as the longer tests, still reveals a lot. Using technology can broaden your story. Need characters to find answers to something? Let them share on social media or Google the details. Every writer I know blesses Google for making research a breeze.

If you aren’t already, get good at researching. Writing Homeworld, the final  book in my Beacons sci-fi series, I needed to know if you could launch a space shuttle off the back of a Global Express private jet. My net search turned up the PR division of the plane’s makers who sent my query to the designers. They not only wrote back that it could be done but included diagrams, thrilling me with their generosity. Learn the tricks to search terms and dive in.

You notice the difference if you dip into the past for entertainment. I enjoy the1980s cop show, T J Hooker, starring William Shatner, my tweetheart. Thanks for that lovely word, Joanna Sandsmark. He’s seen here with fellow Star Trek alumni, Leonard Nimoy. Watching him in action is fun, but I can’t help wishing for a cellphone every time he has to find a phone to take care of police business.

Kirk T J Hooker 2

Another fav. Is  Murdoch Mysteries, a detective show set in the 1890s where everything is old school. Yannick Bisson as eye candy in the title role doesn’t hurt, either. Former VPA “minion” (what previous award winners call themselves) Erica Hayes writing as Viola Carr, writes a fun series about the daughter of Dr. Jeckyll who inherited his affliction. In these page-turners,Viola employs the tech of the day – plus some neat inventions of her own – beautifully. Don’t take my word for it. The Wall Street Journal reviewed the first in the series – you can’t do much better than that.

Currently I’m developing a book where one lead character steps back in time. The other remains in the present with all its technical goodies, while my character has to deal with the comparatively low tech of the time she finds herself in.

Love it or loathe it, this is our reality as writers today. Technology also changes how we write – but that’s a subject for another blog.

How do you deal with technology in your writing? What books do it best for you as a reader? Share your thoughts in the comments below. They’re monitored to avoid spam, but your comment can appear right away if you click on “sign me up” at right. I don’t share your details with anyone.

Valerie

Valerie’s Beacon sci-fi series out now!
Beacon Starfound OUT NOW
Beacon Earthbound OUT NOW
Beacon Continuum OUT NOW
Beacon Homeworld OUT JUNE 30

via Amazon.com.au Amazon.com & Amazon.co.uk – also via
Barnes and Noble (Nook devices)

Google Play (All devices except Kindle)

iBooks Store (iPhone, iPad, iPod touch, Mac)

Kobo (All devices except Kindle)

 

 

 

 

 

Why making new book babies never gets old

Welcome to First Monday Mentoring for April.

You’d think after writing ninety-one books that having a new one out would be ho-hum.  But it never is.

Any published author will agree there’s a special excitement about seeing your new baby out in the world, whether in ebook or print. I’m told the feeling is  a bit like having babies  – you’ve brought to life something that never existed before.

It’s an amazing feeling.

You want to touch the newborn; count fingers and toes, show them off to anyone who’ll  indulge you. In book terms, that means reading over words you already know by heart and talking to others about them.

I’ve  been asked if I read my own books. Not in the same way as a new reader, but I certainly marvel that the jumble of thoughts in my head could turn into anything so beautiful. Until you find your first typo. No matter how many times you and your editors have gone over every word, there are always typos and they stab your new-parent self to the heart. You will also see things you could have written better, or differently. But basically you marvel that you did this amazing thing.

Then you wonder if you can ever do the amazing thing again. If you’re a writer, you will, of course, but don’t expect it to be any easier the second – or the hundredth time.

You will know what to expect; what the pitfalls are; but every book is its own creation. That’s what keeps the process interesting.

You need more than a good idea

Many non writers assume a good idea is all you need. Having an idea is wonderful, a new toy for your brain to play with. But just as raising a child involves more than giving birth, having an idea is only a beginning.

I totally get writers like James Patterson, who has so many ideas that he collaborates with writers all over the world. Australia’s own Katherine Fox joined them when she wrote Private Sydney. I was delighted for her. A new challenge, working with the single best-selling author in the world, bar none,  for more than a decade. What’s not to like?

Fox Private Sydney

Ask any parent and they’ll tell you they love all their children equally. Truth is they love them all differently. Some they never connect with at all, no matter how hard they try. Some they love from the moment they open their tiny eyes.

Ideas are the same. Some we can’t wait to write, yet they flounder on the screen. Others we don’t want to write but they nag at us, sometimes for years, until we give them life.

My Beacon series is one of those. I love science fiction, but I was busy writing romantic suspense. Who were these strange, half-alien people with extraordinary powers? Where did they come from? From that same biological soup we come from as people. Ideas exist in the ether, waiting for a writer to inhale them and give them life.

Beacon Starfound3

My Beacons – a listener, a watcher and a messenger from another planet – connect with the universe in superhero-type ways. From the start I knew them. Wanted to tell their stories. What came was a series of three ebooks and two novellas, the first published last month by Pan Macmillan’s Momentum ebook imprint. They’re publishing the whole series between now and the end of June, delighting readers who hate waiting for the next books in a series…cough, cough…me, for instance.

Beacon Earthbound

Here’s where the baby-analogy gets twisted. Unless they’re quintuplets, no new parent has five children in four months. Yet I’m loving that part, although my book-parenting skills are pretty stretched. I get to show off all five book babies in places I’ve never ventured before – iBooks Store and Google Play well as Amazon US, UK and Australia, and a host of other places.

That’s the beauty of book babies. We get to share them all over the world. Readers can buy or download them; review them; share their discoveries with friends. And book babies never get old.

As a book parent, what stories are you nurturing right now, or struggling to? Do you have favourites? How do you feel when you get a shiny new idea? Share your thoughts in the comment box below. It’s moderated to avoid spam, but you can skip this step by clicking on “sign me up” at right. I don’t share your details with anyone.

Happy book parenting!

Valerie

on Twitter @ValerieParv and Facebook

Valerie’s sci-fi series continues with Beacon Starfound, April 14 and

Beacon Earthbound out May 12.

via Amazon.com.au Amazon.com & Amazon.co.uk – also
Barnes and Noble (Nook devices)

Google Play (All devices except Kindle)

iBooks Store (iPhone, iPad, iPod touch, Mac)

Kobo (All devices except Kindle)

Full list of titles and publication dates http://www.valerieparv.com

 

 

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