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First Monday Mentoring January – 5 things smart writers won’t take into 2017

 

Hi and welcome to First Monday Mentoring for January 2017. Not too many people are sorry to see 2016 over, as it came with more than its share of tragedy and loss. But focusing on loss is a good way to encourage more of the same. Better to focus on what we do want in the coming year, rather than what we don’t.

Anita in Honolulu with the cocktail that inspired our joint writing project

Anita in Honolulu with the cocktail that inspired our joint writing project

I hope as writers you have exciting plans for the year ahead, and lists of goals you’d like to achieve. I suggest breaking them down into bite size pieces so you can cross off small steps rather than have to wait to cross off one big step. For example, “write a book” is a giant step. A better approach is to list “start a new book” if you’re at that stage. Or if not, “develop book idea” then “outline book” and so on. “Write X words every day” is a good choice. Whether you choose 50 words or 500 matters less than having a measurable number you want to complete every working day.

My big goal for 2017 is writing a novel in collaboration with the much-loved writer, Anita Heiss. Neither of us has written a book with two voices, and we spent a few days in December brainstorming content and how the project would work. In line with the small steps advice, we plan to complete a partial for our agents to shop around, then work with two key characters each, the story alternating between them. Excited? You bet. I’ve already met my goal of writing the first 500 words by New Years Eve. Did another chunk to celebrate New Year’s Day. We’ll tweet and Facebook as we go along.

Anita and I after our brainstorming getaway

Anita and I after our brainstorming getaway

Check out Anita’s blog on the project  https://anitaheiss.wordpress.com/2016/12/22/52-weeks-of-gratefulness-week-50-working-with-the-best/

Now for 5 things smart writers won’t take into 2017:

1 – A cookie-cutter story. Whatever genre you write in, push yourself to write something special, unique to your voice and interests.

2 – Lack of respect for your readers. You need to bring your A-game to whatever you write. Every story is worthy of your best work, for yourself and your readers.

3 – A blasé attitude toward craft. Even if you indie publish your own work, make sure you hire a good editor, cover designer and whatever else you need to put your best work forward. Trad pubbed authors also need to address these concerns in conjunction with your agent and publisher. Never stop learning and developing.

4 – Lack of faith in yourself. Over many years I’ve found that insecurity is a hallmark of every successful writer. Even New York Times’ Bestselling authors feel unsure if they’ve achieved what they wanted for their books. Rather than letting their fears beat them, they push themselves to do better with everything they write, and so can you.

5 – Buying into the gloom and doom. As I said above, it’s better to aim for your highest goals rather than run away from what you don’t want. Writing a book is tough enough without dragging along the baggage of bad news, political angst and fear of the future. What will be will be. If you have to, watch or listen to less news, and focus on the good in your life. Bring that to your writing and I guarantee you’ll see a difference.

Share your thoughts in the comment box below. Comments are moderated to avoid spam but  appear right away for subscribers, or after you click “sign me up” at right. I don’t share your details with anyone. Thanks for your support. Have a happy and creative New Year!

Valerie

on Twitter @ValerieParv and Facebook

Valerie’s latest book, Outback Code, is OUT NOW,

3 books complete in one volume for summer reading

For international orders, print & ebook formats,

Booktopia http://tinyurl.com/hj3477e

From Amazon for Kindle http://tinyurl.com/hxmmqsk

 

 

 

 

First Monday Mentoring May 2016 – what to write next when you don’t have a clue

Welcome to First Monday Mentoring, when I open this blog to discuss the writing craft and what it means to be a writer, the stuff hardly anybody else talks about.

I’ve now had books published for four decades, and almost every time I’ve put a book to bed, I’ve known exactly what I wanted to write next. In fact, I could hardly wait to get started. But not this time.

Oh, I have plenty of ideas. Most writers do. There are books I can write, but nothing that won’t wait. There’s a nonfiction book so far along in development that I have a huge box of reference books getting in the way under my desk. Two potentially strong characters each want to have a book, perhaps a series each. They’re also happy to wait.

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When not writing, I’m a shopaholic online and off, whether for myself or as gifts. One day a friend, AJ Macpherson, writing as Maggie Gilbert – http://tinyurl.com/jex9dsa – shared the rule she uses to decide whether to buy a particular item. Is it a gotta wanna must have? Running potential purchases through this filter saves me a ton of money and shopping mistakes.

Can this useful phrase help you decide what to write next? Is this project a gotta wanna must write?

If an idea has stuck around for months or years without pushing you to write it, then the answer might well be no. The best stories are those that keep you awake at night thinking about them. The best characters are the ones insisting you write about them.

A gotta wanna must write story doesn’t give you a choice.

Successful New York Times’ best selling author, Chuck Wendig, says the answer is to “art harder”. Bryce Courtenay recommended “bum glue” – sticking your anatomy to the seat of the chair and getting on with it. Both work – some of the time.

But at a time when the book market is awash with books, either indie published by their authors, or trad pubbed, does bum glue work? Yes and no.

Thinking about writing doesn’t get anything written, far less your master work. And as you battle to get the words down, you can’t know whether you’re writing a bestseller or wasting your time. Not one successful author knew which they were writing. Not J K Rowling, not George R R Martin. Not even Shakespeare. http://tinyurl.com/jcffftk Okay, maybe James Patterson, but he’s in a category all by himself.

Beacon Earthbound, Book 3 in my sci-fi series is out May 12

Beacon Earthbound, Book 3 in my sci-fi series is out May 12

There are three things you can do to get yourself moving again.

  1. Stop fretting and write.

In this, Chuck Wendig is right. The harder you art, the more likely you are to stumble on what you need to be writing. It may mean discarding the current words and tackling something else, but at least you’ll know what you don’t want to write.

  1. Fall in love with the words you’re writing now.

Writing books is like an arranged marriage. Sometimes you have to take the step and hope to fall in love later. Many times, a publisher has asked me for a book that is far from a gotta wanna must write, but I’ve taken on the project and surprised myself by enjoying the journey. Not always. The book I was asked to write about doing your own plumbing comes  to mind (yes, it was a real thing). However, saying yes to that project made me determined to write books I could put my heart into, leading to a long career as a romance novelist.

  1. Don’t be afraid to stop writing

If you’re a born writer, and only you know that, the drought won’t last forever. I was there when writers of the stature of Morris West announced their retirement from writing. Yeah, sure, whatever. You’ll be back. And they were. Story ideas will nag at you until one becomes that magic thing – a gotta wanna must write. Then you’ll be lucky if you can art hard enough to keep up. Welcome back, writer.

Are you struggling to find your next project, or to finish one that’s gone cold on you? Share your thoughts in the comments box below so we can all benefit. This blog is moderated to avoid spam but your comments can appear right away if you click “sign me up” at right. I don’t share your details with anyone.

Happy writing,

Valerie

PS Since writing this blog, a new idea pushed its way into my head – a gotta wanna must write idea. Stay Tuned!

On Twitter @ValerieParv and Facebook

Follow Valerie’s Beacon sci-fi  series

Beacon Starfound OUT NOW

Beacon Earthbound released MAY 12

via Amazon.com.au Amazon.com & Amazon.co.uk – also
Barnes and Noble (Nook devices)

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Full list of titles and publication dates http://www.valerieparv.com

 

 

 

 

 

 

First Monday Mentoring for September – tracking down Scribblopithecus, the writing breed

Welcome. It’s first Monday again, when I answer questions about any aspect of the writing life.

Recently I attended the national conference of Romance Writers of Australia, one of the largest gatherings of writers in the country. Headliners included New York Times’ best-sellers, publishers, agents and writers of all kinds. I presented a workshop on drawing readers into your fictional world.

In the breaks, talk ranged around contracts, submissions and other professional concerns, but also about lesser-known aspects such as the courage needed to write, and how hard it is to diet in such an unpredictable business. This made me think it was time to look at what this crazy business really means.

If David Attenborough wanted to make one of his celebrated documentaries about writers, where would he start? Would he find us in herds like gazelle, or stalking alone like tigers. Would we be fearful or confronting? Do we use protective coloration or can you spot the breed from a distance?

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Confusingly, the answer to all the above would be yes. Writers – call us Scribblopithecus – do gather in herds such as the RWA conference. But more commonly, they hole up in their writing caves, struggling to deal with the real world.

Protective coloration goes by the name of jammies, short for pyjamas, the species’ unofficial uniform. In writing mode, Scribblopithecus can stay in this camouflage for days.

While Scribblopithecus doesn’t actually hibernate, they frequently enter a torpor, a state where they are unresponsive to family and friends, reluctant to initiate communication, and focused entirely on their internal world.

Locating Scribblopithecus is challenging because their habitats are so varied. You find them in every country of the world, existing like cuckoos in a range of settings known as “day jobs.” In these, you may be hard-pressed to spot the writer, so well do they disguise themselves. They’re wonderful mimics, copying the calls and behavior of their day-job counterparts.

But in their natural surroundings they spend hours mesmerized by computer screens and tablets on which they make their characteristic scratchy markings. They’re fussy, though. The markings must be just so, or they will be removed and Scribblopithecus will start over, sometimes dozens of times.

Despite this preoccupation, Scribblopithecus also collects objects called notebooks, the more stylish the better. They seldom defile notebooks with scratchings, but will treasure and fondle them as their collection grows. An environment such as Office Works or Kikki.K can induce an ecstasy state as the species rushes to acquire every object around them.

Scribblopithecus is an omnivore but has a particular fondness for chocolate, despite its effect on their generally sedentary lifestyle. If anyone raids their stash, they can become aggressive, although few specimens engage in physical confrontation.

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Interpreting their scratchings can be confusing. The amount of mayhem, death and destruction represented can lead one to assume that aggression is a natural trait. In fact, Scribblopithecus tends toward shyness, preferring to communicate via its screens rather than face to face. Facebook, Pinterest, Instagram and Twitter are their natural homes and #amwriting is one of the latter’s more distinctive calls.

So what is to be concluded about this species? No two are alike, they alternate between herd and solitary behaviour, experience long periods of torpor and express their aggression passively, through their scratchings. They are also an enduring species, their scratchings being found on cave walls throughout the ancient world.

Should you encounter Scribblopithecus, it’s advisable to offer chocolate and back slowly away lest you find yourself represented in their scratchings and killed off in an unpleasant manner. This symbolic violence is characteristic, along with talking to themselves, mock aggression when they wish to be solitary, and a complete lack of time sense.

It’s safest not to try to placate an aroused specimen. Misuse of apostrophes and terminology such as, “there, they’re, their” has been known to induce an attack frenzy which few outsiders have survived.

So there you have it. Have you met Scribblopithecus? Are you one of the species yourself? Please leave a comment here, moderated unless you click Sign Me Up at right. Or better still, leave chocolate to avoid being killed symbolically.

Valerie

http://www.valerieparv.com
AORW cover
on Twitter @ValerieParv and Facebook

Check out Valerie’s online course, Free the Writer in You

at http://valerieparv.com/course.html

First Monday Mentoring for August – handling your writer’s grumpy brat

Today is the first Monday in August – how did that happen? Today I open the blog to your questions about any aspect of writing and publishing, and answer them here. The blog is read by many terrific writers who add their thoughts or experiences. Post your questions and ideas, argue with mine, share your war stories. This is the day, heck, sometimes the whole week.

I regret the need to moderate comments before they appear. But turning that off leads to an avalanche of spam and rudeness we can do without. To have your comments appear right away, click the ‘sign me up’ button at lower right to subscribe. I don’t share your email address with others.

To kick things off, I’m addressing a problem all writers share – dealing with our inner grumpy brat. You can be a New York Times bestseller or an emerging writer, but sooner or later Grumpy Brat Writer will appear, usually when you’re facing a deadline or a contest closing date. You need to be ready. Just like a parent in a supermarket when their toddler throws themselves down on the floor and screams blue murder, you need coping strategies to stop your Grumpy Brat Writer from winning the day.
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Here are 5 things you’ll hear Grumpy Writer Brat whine:

1. I don’t wanna

GBW never wants to do anything, especially if it involves work. And most writing involves a LOT of work. GBW would much rather play with her friend, Google, on research sites. Even then, she may start out on topic and be distracted by the first shiny link that comes her way. Which leads to another link and another until your research topic is a speck on the digital horizon. She also loves toys. Solitaire is to GBW what Lego is to most toddlers, and just as hard to get them to put away.
The solution: GBW loves rewards. Don’t wait until the end of a project (or dog forbid, a whole book) to reward her. Give her little treats along the way. They can be time outdoors, a little taste of chocolate, a phone call to a friend, or some reading time when she does what you want.

2. Why do I hafta?
This goes to the question of motivation. Writers have to be self disciplined to get anything done. Unless you have a publishing contract, no one is pushing you to finish the book. Non-writer friends and family don’t get why it isn’t done in a week. And without a goal, you’ll find GBW cleaning out the refrigerator, brushing the cat, or lining up pens in colour coded rows.
The solution: Motivate GBW with whatever works. Enter a contest with a submission date. Choose one that you can meet without too much stress, but that’s close enough to keep you at the keyboard. Tell your writer friends you’re writing. If you’re on Twitter, use a hashtag like #amwriting. Hashtags are like secret handshakes. They link together people who are otherwise unconected. but share a common interest – like getting the writing done. Sign up for NaNoWriMo – National Novel Writing Month. These days Nano is international. Participants aim to write 50,000 words during November. Nobody says they have to be good words, although published novels have come out of these rough drafts. If all else fails, buy a cute kitchen timer and set it for ten minutes. Almost anybody can stay on task for ten minutes. Tell GBW that’s all she has to do, write until the timer goes off. Chances are she’ll still be going after the timer rings. And if not, reward her and come back for another 10 minute sprint later.

3. Are we there yet? (usually repeated over and over)
We’ve all heard GBW on this. She wants the work finished and the fun to start. Especially if you’re writing a book, the finish line can be months and sometimes years away. No wonder GBW gets restless and whiny.
Solution: The kitchen timer in #2 helps to let GBW know when she’s “there” at least in the short term. Choosing a set number of words you’ll achieve each day no matter what and not stopping until you’re “there” can help. Even if your goal is as few as 200 or 500 words, make a deal with GBW that you won’t stop until they’re written. If you write more than your goal, great, but beware of writing 4,000 words and then finding you can’t write again for several days. Slow and steady wins the race.

4. No! (said with jutting out lower lip and folded arms)
Sometimes I think this is the first word that GBW learns. Whatever we ask of her, we get the one word answer and the stubborn body language. How can you deal with such an implacable, “No?”
Solution: GBW is looking out for herself, but she also has an almost subliminal sense of what else is going on with your work. Every time I’ve come up against GBW’s flat refusal to co-operate – every time – it’s been because the writing is going in the wrong direction. Coming up against that “No” leads me to look at what my characters are doing. Is this where the book should be at this time? Could I change settings or characters? Add a new character? Have somebody produce a gun? Magically, as soon as I address what’s bothering GBW, she starts saying yes to me.

5. Hers is bigger/better/shinier
This is GBW looking around and wanting what other writers have. Whether it’s a publishing contract, a prize, an award, great cover art or fantastic reviews, the little green monster brings out the worst in GBW. Often, she’s so consumed with the shiny goodies others seem to have that it stops her from writing anything.
Solution: tell GBW it’s okay to feel jealous. Maybe the other person does have a bigger better shinier whatever. On the other hand, they may also have ill health, financial woes or family issues GBW doesn’t know about. Most of us show the world our best side, but there’s nearly always a dark side lurking. Remind GBW about this and also of the line from the Desiderata, “Never compare yourself to others, for always there will be greater or lesser persons than yourself.” While GBW is busy envying other writers, just as many would like to be her.

How does your Grumpy Brat Writer show his or herself? How do you deal with it? Share your thoughts and experiences here.

Valerie

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http://www.valerieparv.com
on Twitter @ValerieParv and Facebook

Read some reviews already up at http://www.valerieparv.com/birthright.html

First Monday Mentoring for June – a writer’s to-don’t list

Happy first Monday in June, the day when I open this blog to your questions about writing. They can be on creative, craft or business matters. You can also share your experiences as a writer with others.

I’m sorry that comments need to be moderated before they appear.
I’m often tempted to turn that off, but friends who’ve done so report an avalanche of spam and rudeness we can all do without.If you’d like your comments to appear right away, click the ‘sign me up’ button at lower right. I don’t share your email address with others.
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I do share blogs and information I find exciting. My new fav find is a blog called Marc and Angel Hack Life. Their thoughts and comments on living are well worth reading (and subscribing as I’ve done). Recently they blogged about making a “to don’t” list here http://www.marcandangel.com/2013/05/28/7-things-you-need-to-stop-doing-every-day/#more-621 Right click on the link to open in a new tab without closing this one.

Most people have a “to do” list, many are pages long 😦 For writers, here are some things for your “to don’t” list. Since it’s First Monday, feel free to share what you’d add to the list.

DON’T compare yourself to others

This month, Romance Writers of Australia are running 50k in 30 days – not as someone thought, 50 kilometers, but 50 thousand words during June. Like NaNoWriMo (National Novel Writing Month) in November, these are ways to get writers writing instead of hoping, dreaming or planning. Both events involve reporting progress to a group or forum. This is where things get sticky. If other writers are reporting 2,000, 3,000 or 5,000 words and you wrote 500, how do you feel? Under the ‘don’t compare’ rule, you feel pretty darned good. You wrote 500 words. Over 30 days, that totals 15,000 words. Keep going for 5 or 6 months and you’ll have a novel, just by writing 500 words a day. Your output is your output.

DON’T wait till you’re ready

As Henry Ford famously said, you can’t succeed by what you’re going to do tomorrow. Today, this minute, is all we have. Start writing now. Pour your thoughts and ideas onto the screen or page then edit afterward. Same with research. Leave gaps where you need to look something up. I write “tk” a printer’s mark for “to come” when I need to find some important detail. Get that first draft down without interrupting or second-guessing yourself. Only then can you edit, correct, fill in gaps and – as I do – layer in elements you missed first go round.

DON’T expect perfection
By all means aim for wonderful, but settle for whatever comes as long as it’s the best you can do at the time. Remember, if you shoot for the moon and miss, you’ll still land among the stars. And don’t use perfectionism as an excuse. Erica Jong wrote that for years she never sent any work out. As long as it was ‘work in progress’ it couldn’t be rejected. Fear of rejection, of not being good enough, is an occupational hazard writers must learn to live with. Write anyway.

and most importantly…
DON’T give up
Every writer I’ve ever met, whether New York Times bestseller or not, has moments of thinking their success is a fluke. Multi award winning romance writer, Marion Lennox, says she still expects her publishers to tell her it’s all a mistake and want their money back. It won’t happen. Nor does Marion let anything stop her from writing her books. That’s the bottom line. DON’T stop writing.

This is First Monday so the blog is open to your thoughts, ideas and questions. What would be on your ‘to don’t’ list?

Valerie
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http://www.valerieparv.com
on Twitter @ValerieParv and Facebook

Read some reviews already up at http://www.valerieparv.com/birthright.html

First Monday Mentoring for May – 5 ways to know you’re a writer

Happy first Monday in May, the day when I open this blog to your questions about writing. They can be on creative, craft or business matters. No question is stupid except, as the saying goes, the one you didn’t ask. So ask away using the comment box below. You can also share your experiences as a writer with others.

I’m sorry that comments need to be moderated before they appear.
I’m often tempted to turn that off, but friends who’ve done so report an avalanche of spam and rudeness we can all do without.

To kick things off, here’s a question I was asked while attending Conflux National Science Fiction Convention in Canberra. The event was wonderful, attended by writers, editors, publishers and fans of fantasy and SF. During a coffee session, I was asked, “How do you know if you’re a writer?” A good question.Time is precious.No-one wants to slave away on stories that are going nowhere. Here are some clues that might help.

1. You look at stories differently
You read a book, watch a movie or TV show and mentally write a better ending. You get impatient because you know who the villain is before anyone around you. A pen on a desk is never just a pen. It’s a potential weapon and you’ve already thought of a dozen ways it could be used. You’re either a psychopath or a writer, possibly both.

2. You feel things more acutely
You lose someone and while grieving, store away the feelings in case a character can use them later. You attribute motives to actions, even if the person doing them was merely acting on impulse. As a writer, you know that actions must be motivated, even if not in real life.

To a writer, everyone & everything is a story

To a writer, everyone & everything is a story

3. You observe everything
Yes, even your own suffering. As writer, Anne Lamott says in her wonderful Bird by Bird, if you’re held up, you don’t actually think, “So this is what it’s like staring down the barrel of a gun” but you come close.

4. You turn everything into a story
You wonder if you’re heartless because you channel your tragedies and suffering into story ideas. Judy Nunn calls this meta-observing “the third eye.” All writers have it, and we can’t turn it off.

5. You set the bar high
I’m convinced we write to prove to ourselves that we can do it…again and again. After quitting my day job, I wrote the same number of words full-time as part-time, because I expected more of myself. Make the New York Times bestseller list? Next time aim for #1 spot. Sell half a million copies? Next time it better be a million.

Far from being a cruisy, wrist-to-forehead profession, writing is one of the toughest gigs I know. How did you find out you were a writer? What’s good and bad about it for you? Love to share your comments.

Valerie
http://www.valerieparv.com

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on Twitter @ValerieParv and Facebook

Read some reviews already up at http://www.valerieparv.com/birthright.html

The Writer Before Christmas

Twas the night before Christmas,  and in every nook,

Not a creature was stirring except me and my book.

The deadline was looming,  I tried not to care though I knew that St Nicholas soon would be there.

The family were nestled all snug in their beds, while visions of editors danced in my head.

My agent would freak out and I’d be a wreck if the copious copy edits didn’t get back.

When out on the lawn there arose such a clatter, I abandoned my work to see what was the matter.

Away to the window I flew like a flash, tore open the shutter and threw up the sash.

The moon on the stretches of overgrown grass gave the lustre of midday to what I saw pass,

As what to my wondering eyes did appear, but Santa and sleigh pulled by lots of reindeer.

The man in the sleigh was so lively and quick, I knew in a moment it must be St Nick.

More rapid than a rejection, his coursers they came,

And he whistled and shouted, and called them by name:

“Now Harlequin, now Penguin, now Allen & Unwin,

On Macmillan, on Carina, on Samhain and Random.”

From the top of the porch, I heard his wry call, “Now write away, write away, write away all.”

As blank pages mock an author’s best try, when we meet with a plothole, and look to the sky,

So up to the rooftop, those publishers flew, with a sleigh full of books and St Nicholas, too.

I drew in my head and was turning around, down the chimney St Nicholas came with a bound.

He was dressed in red ink from his head to his foot, and his clothes were all grimy with ashes and soot.

A flash drive or two he had in his pack. I started to shake but he motioned me back.

A wink of his eye and a nod of his head soon gave me to know I had nothing to dread.

He spoke not a word as he bent to his task, took the drive to my tablet, not stopping to ask,

turned my chaos to order, the edits all done, I was freed from their yoke, there’d be time to have fun.

And laying a finger aside of his nose, Santa gave me a grin; up the chimney he rose.

He sprang to his sleigh, to the publishers cried, and away they all flew while I turned back inside.

As I heard him exclaim, my heart beat like a drum,

“Merry Christmas all writers, New York Times here you come.”

                                With every good wish!

Valerie

http://www.valerieparv.com

on Twitter @valerieparv

and Facebook

With acknowledgement to Clement Clarke Moore/ Henry Livingston

who gave us the original The Night Before Christmas.

The 12 Days of Writing at Christmas

Forget the lords a-leaping and maids a-milking, they’re only distractions to keep writers from a-writing. In any case,  you’d need a New York Times bestseller to afford them. An annual survey by pnc (www.pncchristmasindex.com) values the whole deal at over $24,000, more if you buy online. Shipping live birds isn’t cheap! Add in the expenses for all those lords, maids, and livestock, make that two NYT bestsellers. Here’s my more realistic 12 Days list for writers.

~ For my wonderful agent, Linda Tate, with love and thanks for all the mumble-something years of support. ~

On the first day of Christmas, my agent sent to me

Her thoughts on a novel from me.

On the 2nd day of Christmas, my agent sent to me

Two book proposals, and her thoughts on a novel from me.

On the 3rd day of Christmas, my agent sent to me

Three manuscript requests, two book proposals,

and her thoughts on a novel from me.

On the 4th day of Christmas, my agent sent to me

Four speaking gigs, three manuscript requests, two book proposals,

and her thoughts on a novel from me.

On the 5th day of Christmas, my agent sent to me

Five months of plotting, four speaking gigs, three manuscript requests,

and her thoughts on a novel from me.

On the 6th day of Christmas, my agent sent to me

Six weeks to deadline, five months of outlines,

four speaking gigs, three manuscript requests, two book proposals,

and her thoughts on a novel from me.

On the 7th day of Christmas, my agent sent to me

Seven procrastinations, six weeks to finish, five months of outlines,

Four speaking gigs, three manuscript requests, two book proposals,

And her thoughts on a novel from me.

On the 8th day of Christmas, my agent sent to me

Eight plots resisting, seven procrastinations, six weeks to deadline,

five months of outlines, four speaking gigs, three manuscript requests,

two book proposals, and her thoughts on a novel from me.

On the 9th day of Christmas, my agent sent to me

Nine drafts completed, eight plots resisting, seven procrastinations,

six weeks to finish, five months of outlines, four speaking gigs,

three manuscript requests, two book proposals,

and her thoughts on a novel from me.

On the 10th day of Christmas, my agent sent to me

Ten copy edits, nine drafts completed, eight plots resisting,

seven procrastinations, six weeks to deadline, five months of outlines,

four speaking gigs, three manuscript requests, two book proposals,

and her thoughts on a novel from me.

On the 11th day of Christmas, my agent sent to me

Eleven nervous breakdowns, ten copy edits, nine drafts completed,

eight plots resisting, seven procrastinations, six weeks to deadline,

five months of outlines, four speaking gigs, three manuscript requests,

two book proposals, and her thoughts on a novel from me.

On the 12th day of Christmas my agent sent to me

Twelve months of waiting, eleven nervous breakdowns, ten copy edits,

nine drafts completed, eight plots resisting, seven procrastinations,

six weeks to deadline, five months of outlines, four speaking gigs,

three manuscript requests, two book proposals,

and her thoughts on a novel from me.

Would you recognise any of these “gifts” on your list? Love to hear your comments.

Valerie

on Twitter @valerieparv

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http://www.valerieparv.com

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